I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's "Rest in the Lord." It was ornamental unobtrusive and to musicians I think it emphasized the expression of the face and pose of the figure.


Letter to Henry A. Rowland (1897-10-04).


I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's Rest in the Lord. It was ornamental unobtrusive...

I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's Rest in the Lord. It was ornamental unobtrusive...

I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's Rest in the Lord. It was ornamental unobtrusive...

I once painted a concert singer and on the chestnut frame I carved the opening bars of Mendelssohn's Rest in the Lord. It was ornamental unobtrusive...