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A writer, I said, when my social worker asked me what I planned to do when I got out of the hospital. I'm going to be a writer. That's a nice hobby, but how are you going to earn a living? My social worker and I did not like each other. I didn't like her because she didn't understand that this was me, and I was going to be a writer; I was not going to type term bills or sell au gratin bowls or do any other stupid things.
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The debate was wearing me out. Once you've posed that question, it won't go away. I think many people kill themselves simply to stop the debate about whether they will or they won't. Anything I thought or did was immediately drawn into the debate. Made a stupid remark—why not kill myself? Missed the bus—better put an end to it all. Even the good got in there. I liked that movie—maybe I shouldn't kill myself.
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Don't ask me those questions! Don't ask me what life means or how we know reality or why we have to suffer so much. Don't talk about how nothing feels real, how everything is coated with gelatin and shining like oil in the sun. I don't want to hear about the tiger in the corner or the Angel of Death or the phone calls from John the Baptist.
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People ask, How did you get in there? What they really want to know is if they are likely to end up in there as well. I can't answer the real question. All I can tell them is, It's easy. Most people pass over incrementally, making a series of perforations in the membrane between here and there until an opening exists. And who can resist an opening?
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My classmates were spinning their fantasies for the future: lawyer, ethnobotanist, Buddhist monk (it was a very progressive high school). Even the dumb, uninteresting ones who were there to provide balance looked forward to their marriages and their children. I knew I wasn't going to have any of this because I knew I didn't want it. But did that mean I would have nothing? I was the first person in the history of the school not to go to college.
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My self-image was not unstable. I saw myself, quite correctly, as unfit for the educational and social systems.
Susanna Kaysen
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There is thought, and then there is thinking about thoughts, and they don't feel the same.
Susanna Kaysen
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It's important to cultivate detachment. One way to do this is to practice imagining yourself dead, or in the process of dying. If there's a window, you must imagine your body falling out the window. If there's a knife, you must imagine the knife piercing your skin. If there's a train coming, you must imagine your torso flattened under its wheels. These exercises are necessary to achieving the proper distance. The motive is paramount. Without a strong motive, you're sunk. My motives were weak: an American-history paper I didn't want to write and the question I'd asked months earlier, Why not kill myself? Dead, I wouldn't have to write the paper. Nor would I have to keep debating the question.
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In a strange way we were free. We'd reached the end of the line. We had nothing more to lose. Our privacy, our liberty, our dignity: all of this was gone and we were stripped down to the bare bones of our selves.
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Light like this does not exist, but we wish it did. We wish the sun could make us young and beautiful, we wish our clothes could glisten and ripple against our skins, most of all, we wish that everyone we knew could be brightened simply by our looking at them.
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The world didn't stop because we weren't in it anymore; far from it. Night after night tiny bodies fell to the ground on our TV screen: black people, young people, Vietnamese people, poor people—some dead, some only bashed up for the moment. There were always more of them to replace the fallen and join them the next night. Then came the period when people we knew—not knew personally, but knew of—started falling to the ground: Martin Luther King, Robert Kennedy. Was that more alarming? Lisa said it was natural. They gotta kill them, she explained. Otherwise it'll never settle down.
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It was a spring day, the sort that gives people hope: all soft winds and delicate smells of warm earth. Suicide weather.
Susanna Kaysen
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Suicide is a form of murder—premeditated murder. It isn't something you do the first time you think of doing it. It takes getting used to. And you need the means, the opportunity, the motive. A successful suicide demands good organization and a cool head, both of which are usually incompatible with the suicidal state of mind.
Susanna Kaysen
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When you're sad you need to hear your sorrow structured into sound.
Susanna Kaysen
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Borderline Personality Disorder: An essential feature of this disorder is a pervasive pattern of instability of self-image, interpersonal relationships, and mood, beginning in early adulthood and present in a variety of contexts. A marked and persistent identity disturbance is almost invariably present. This is often pervasive, and is manifested by uncertainty about several life issues, such as self-image, sexual orientation, long-term goals or career choice, types of friends or lovers to have, and which values to adopt.
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This time I read the title of the painting: Girl Interrupted at Her Music. Interrupted at her music: as my life had been, interrupted in the music of being seventeen, as her life had been, snatched and fixed on canvas: one moment made to stand still and to stand for all the other moments, whatever they would be or might have been. What life can recover from that?
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Quite often social contrariness and a generally pessimistic outlook are observed. Alternation between dependency and self-assertion is common.
Susanna Kaysen
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Naked, we needed protection, and the hospital protected us. Of course, the hospital had stripped us naked in the first place—but that just underscored its obligation to shelter us. And the hospital fulfilled its obligation. Somebody in our families had to pay a good deal of money for that: sixty dollars (1967 dollars) a day just for the room; therapy, drugs, and consultations were extra. Ninety days was the usual length of mental-hospital insurance coverage, but ninety days was barely enough to get started on a visit to McLean. My workup alone took ninety days. The price of several of those college educations I didn't want was spent on my hospitalization.
Susanna Kaysen
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Actually, it was only part of myself I wanted to kill: the part that wanted to kill herself, that dragged me into the suicide debate and made every window, kitchen implement, and subway station a rehearsal for tragedy.
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Later that day, when Alice was off having a Rorschach, I asked, How can a person who's never eaten honey have a family that can afford to send her here? Probably really incredibly crazy and interesting, so they let her in for less, said Georgina.
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Viscosity and velocity are opposites, yet they can look the same. Viscosity causes the stillness of disinclination, velocity causes the stillness of fascination. An observer can't tell if a person is silent and still because inner life has stalled or because inner life is transfixingly busy.
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Don't separate the mind from the body. Don't separate even character - you can't. Our unit of existence is a body, a physical, tangible, sensate entity with perceptions and reactions that express it and form it simultaneously. Disease is one of our languages. Doctors understand what disease has to say about itself. It's up to the person with the disease to understand what the disease has to say to her.
Susanna Kaysen
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Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Susanna Kaysen
Born:
November 11, 1948
(age 76)
Bio:
Susanna Kaysen is an American author, best known for her memoir Girl, Interrupted.
Known for:
Girl, Interrupted (1993)
The Camera My Mother Gave Me (2001)
Far Afield (1990)
Asa, as I Knew Him (1987)
Cambridge (2014)
Most used words:
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life
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crazy
family
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day
lisa
college
write
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