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Robert M. Pirsig -
Zen and the Art of Motorcycle Maintenance (1974)
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Mountains should be climbed with as little effort as possible and without desire. The reality of your own nature should determine the speed. If you become restless, speed up. If you become winded, slow down. You climb the mountain in an equilibrium between restlessness and exhaustion. Then, when you are no longer thinking ahead, each footstep isn't just a means to an an end but a unique event in itself. This leaf has jagged edges. This rock looks loose. From this place the snow is less visible, even though closer. These are things you should notice anyway. To live only for some future goal is shallow. It's the sides of the mountain that sustain life, not the top. Here's where things grow.
Robert M. Pirsig
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The place to improve the world is first in one's own heart and head and hands, and then work outward from there. Other people can talk about how to expand the destiny of mankind. I just want to talk about how to fix a motorcycle. I think that what I have to say has more lasting value.
Robert M. Pirsig
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Traditional scientific method has always been at the very best 20-20 hindsight. It's good for seeing where you've been. It's good for testing the truth of what you think you know, but it can't tell you where you ought to go.
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I've noticed that people who have never worked with steel have trouble seeing this—that the motorcycle is primarily a mental phenomenon. They associate metal with given shapes—pipes, rods, girders, tools, parts—all of them fixed and inviolable, and think of it as primarily physical. But a person who does machining or foundry work or forge work or welding sees "steel" as having no shape at all. Steel can be any shape you want if you are skilled enough, and any shape but the one you want if you are not.
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The laws of physics and of logic... the number system... the principle of algebraic substitution. These are ghosts. We just believe in them so thoroughly they seem real.
Robert M. Pirsig
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Once it's stated that "the dialectic comes before anything else," this statement itself becomes a dialectical entity, subject to dialectical question.
Robert M. Pirsig
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Socrates is not using dialectic to understand rhetoric, he is using it to destroy it, or at least to bring it into disrepute, and so his questions are not real questions at all—they are just word-traps which Gorgias and his fellow rhetoricians fall into.
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Nell teaches aspects of parenthood never understood before. If she cries or makes a mess or decides to be contrary (and these are relatively rare), it doesn't bother. There is always Chris's silence to compare it to. What is seen now so much more clearly is that although the names keep changing and the bodies keep changing, the larger pattern that holds us all together goes on and on. In terms of this larger pattern the lines at the end of this book still stand. We have won it. Things are better now. You can sort of tell these things.
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What's happening is that each year our old flat earth of conventional reason becomes less and less adequate to handle the experiences we have and this is creating widespread feelings of topsy-turviness. As a result we're getting more and more people in irrational areas of thought—occultism, mysticism, drug changes and the like—because they feel the inadequacy of classical reason to handle what they know are real experiences.
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Dialectic, which is the parent of logic, came itself from rhetoric. Rhetoric is in turn the child of the myths and poetry of ancient Greece. That is so historically, and that is so by any application of common sense. The poetry and the myths are the response of a prehistoric people to the universe around them made on the basis of Quality. It is Quality, not dialectic, which is the generator of everything we know.
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Phaedrus is fascinated too by the description of the motive of "duty toward self " which is an almost exact translation of the Sanskrit word dharma, sometimes described as the "one" of the Hindus. Can the dharma of the Hindus and the "virtue" of the ancient Greeks be identical?
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The results of Socrates' martyrdom and Plato's unexcelled prose that followed are nothing less than the whole world of Western man as we know it. If the idea of truth had been allowed to perish unrediscovered by the Renaissance it's unlikely that we would be much beyond the level of prehistoric man today. The ideas of science and technology and other systematically organized efforts of man are dead-centered on it. It is the nucleus of it all.
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These shapes are all out of someone's mind. That's important to see. The steel? Hell, even the steel is out of someone's mind. There's no steel in nature. Anyone from the Bronze Age could have told you that. All nature has is a potential for steel. There's nothing else there. But what's "potential"? That's also in someone's mind!
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The mythos. The mythos is insane. That's what he believed. The mythos that says the forms of this world are real but the Quality of this world is unreal, that is insane!
Robert M. Pirsig
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In recent times we have seen a huge split develop between a classic culture and a romantic counterculture—two worlds growingly alienated and hateful toward each other with everyone wondering if it will always be this way, a house divided against itself.
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You are never dedicated to something you have complete confidence in. No one is fanatically shouting that the sun is going to rise tomorrow. They know it's going to rise tomorrow. When people are fanatically dedicated to political or religious faiths or any other kinds of dogmas or goals, it's always because these dogmas or goals are in doubt.
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When you want to hurry something, that means you no longer care about it and want to get on to other things.
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The bones of the Sophists long ago turned to dust and what they said turned to dust with them and the dust was buried under the rubble of declining Athens through its fall and Macedonia through its decline and fall. Through the decline and death of ancient Rome and Byzantium and the Ottoman Empire and the modern states—buried so deep and with such ceremoniousness and such unction and such evil that only a madman centuries later could discover the clues needed to uncover them, and see with horror what had been done.
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Trials never end, of course. Unhappiness and misfortune are bound to occur as long as people live, but there is a feeling now, that was not here before, and is not just on the surface of things, but penetrates all the way through: We've won it. It's going to get better now. You can sort of tell these things.
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Quality tends to fan out like waves. The Quality job he didn't think anyone was going to see is seen, and the person who sees it feels a little better because of it, and is likely to pass that feeling on to others, and in that way the Quality tends to keep on going.
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When it is known that Plato put his own words in Socrates' mouth (Aristotle says this) there should be no reason to doubt that he could have put his own words into other mouths too.
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We are at the classic-romantic barrier now, where on one side we see a cycle as it appears immediately—and this is an important way of seeing it—and where on the other side we can begin to see it as a mechanic does in terms of underlying form—and this is an important way of seeing things too. These tools for example—this wrench—has a certain romantic beauty to it, but its purpose is always purely classical. It's designed to change the underlying form of the machine.
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A fragment comes and lingers from an old Christian hymn, "You've got to cross that lonesome valley." It carries him forward. "You've got to cross it by yourself." It seems a Western hymn that belongs out in Montana.
"No one else can cross it for you," it says. It seems to suggest something beyond. "You've got to cross it by yourself."
He crosses a lonesome valley, out of the mythos, and emerges as if from a dream, seeing that his whole consciousness, the mythos, has been a dream and no one's dream but his own, a dream he must now sustain of his own efforts. Then even "he" disappears and only the dream of himself remains with himself in it.
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The number of rational hypotheses that can explain any given phenomenon is infinite.
Robert M. Pirsig
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That's all the motorcycle is, a system of concepts worked out in steel. There's no part in it, no shape in it, that is not out of someone's mind
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The Good was not a form of reality. It was reality itself, ever changing, ultimately unknowable in any kind of fixed, rigid way.
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Lightning hits!
Quality! Virtue! Dharma! That is what the Sophists were teaching! Not ethical relativism. Not pristine "virtue." But aretê. Excellence. Dharma! Before the Church of Reason. Before substance. Before form. Before mind and matter. Before dialectic itself. Quality had been absolute. Those first teachers of the Western world were teaching Quality, and the medium they had chosen was that of rhetoric.
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Although motorcycle riding is romantic, motorcycle maintenance is purely classic.
Robert M. Pirsig
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Caring about what you are doing is considered either unimportant or taken for granted.
Robert M. Pirsig
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What's new?" is an interesting and broadening eternal question, but one which, if pursued exclusively, results only in an endless parade of trivia and fashion, the silt of tomorrow.
Robert M. Pirsig
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Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Robert M. Pirsig
1975 © William Morrow/HarperCollins
Born:
September 6, 1928
Died:
April 24, 2017
(aged 88)
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