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Of all the institutions in their lives, only the Catholic Church has seemed aware of the fact that my mother and father are thinkers—persons aware of the experience of their lives. Other institutions—the nation's political parties, the industries of mass entertainment and communications, the companies that employed them—have all treated my parents with condescension.
Richard Rodriguez
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I was glad to get away from those students when I was awarded a Fulbright Fellowship to study in London. I found myself in the British Museum, at first content, reading English Renaissance literature. But then came the crisis: the domed silence; the dusty pages of books all around me; the days accumulating in lists of obsequious footnotes; the wandering doubts about the value of scholarship. My year in Britain came to an end and I rushed to 'come home.' Then quickly discovered that I could not. Could not cast off the culture I had assumed. Living with my parents for the summer, I remained an academic—a kind of anthropologist in the family kitchen, searching for evidence of our 'cultural ties' as we ate dinner together.
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So little is said about the scholarship boy in pages and pages of educational literature. Nothing is said of the silence that comes to separate the boy from his parents.
Richard Rodriguez
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In grammar school—and as new to American history as to the American tongue—I nevertheless puzzled through several junior biographies of Franklin because young Ben's ambition magnified my own. I kept lists in those years of the books I read. I recognized the yearning to escape the limits of family— a strong inclination for the sea —as well as some more vertical yearning: a boy becomes a man by gaining wisdom; each book a rung therefore; each rung a classical tag. I weighed the shame of the sordid candle shop where Franklin was forced to work for his father against the optimism of old New England.
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My father died of neither hot nor cold. My father was as leathern as a saint. He required no trees. As unrefreshed as a Muslim courtyard. He required no fountain. No music. Whenever he saw a baby he said poor baby. His questions were the basic questions, as prosaic as footsteps. What is heaven like? Will I be young? Will I be with Mama? Will I go to sleep? (I don't know, Papa; how can I know?) Absurdly, I gave answers.
Richard Rodriguez
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The brilliance of Midwestern California, the California that is founded upon discontent, and the reason why so much technological innovation springs from the West Coast, is that having confronted the finitude of the coastline, technologists in Silicon Valley have shrunk the needed commodity—the future (thousands of miles of Zen pathway)—to the size of a fleck of gold dust, to a microchip.
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As you see yourself, I once saw myself; as you see me now, you will be seen.
Richard Rodriguez
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Fawning ambition so plainly expressed in the classroom was quite another matter. It wasn't that I got A's; other boys got A's. It was that I wanted my A's so badly and sought them so blatantly—that's what everyone saw. Nixon: I won my share of scholarships, and of speaking and debating prizes in school, not because I was smarter but because I worked longer and harder than some of my more gifted colleagues.
Richard Rodriguez
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My skepticism concerning all notions of reconquista is skepticism toward the view that history is restorative. I get older but I do not grow wiser. It is only by shedding skin, by turning pages, by ordering stronger spectacles, by having my hair cut, that I seem to be restoring myself to a circular pattern, that I seem to progress toward youth and capability, though my progress is actually a decline.
Richard Rodriguez
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I wanted, however, something more from the new middle-class institution than either the decadent romanticism of the sixties or the careerism of the seventies. I wanted students more aware of their differences from persons less advantaged.
Richard Rodriguez
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The sole religious orthodoxy permitted in our public schools is the separation of paper from plastic. Not so many miles from this beach, great-grandchildren of westering pioneers chain themselves to redwoods, martyrs of the new animism.
Richard Rodriguez
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My reading was scheduled for the six-thirty slot by the University of Arizona. A few hundred people showed up – old more than young; mostly brown. I liked my "them," in any case, for coming to listen, postponing their dinners. In the middle of one of my paragraphs, a young man stood to gather his papers, then retreated up the aisle, pushed open the door at the back of the auditorium. In the trapezoid of lobby-light thus revealed, I could see a crowd was forming for the eight o'clock reading — a lesbian poet. Then the door closed, resealed the present; I continued to read, but wondered to myself: Why couldn't I get the lesbians for an hour? And the lesbian poet serenade my Mexican audience?
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'Why?' My mother's question hangs in the still air of memory. The loneliness I have felt many mornings, however, has not made me forget that I am engaged in a highly public activity. I sit here in silence writing this small volume of words, and it seems to me the most public thing I ever have done. My mother's letter has served to remind me: I am making my personal life public. Probably I will never try to explain my motives to my mother and father. My mother's question will go unanswered to her face.
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A boy named Buddy came up beside me in the schoolyard. I don't remember what passed as prologue, but I do not forget what Buddy divulged to me: If you're white, you're all right; If you're brown, stick around; If you're black, stand back.
It was as though Buddy had taken me to a mountaintop and shown me the way things lay in the city below.
Richard Rodriguez
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The genius of American culture and its integrity comes from fidelity to the light. Plain as day, we say. Happy as the day is long. Early to bed, early to rise. American virtues are daylight virtues: honesty, integrity, plain speech. We say yes when we mean yes and no when we mean no, and all else comes from the evil one. America presumes innocence and even the right to happiness.
Richard Rodriguez
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Two women and a child in a glade beside a spring. Beyond them, the varnished wilderness wherein bright birds cry. The child is chalk, Europe's daughter. Her dusky attendants, a green Indian and a maroon slave.
The scene, from Democracy in America, is discovered by that most famous European traveler to the New World, Alexis de Tocqueville, aristocratic son of the Enlightenment, liberal, sickly, gray, violet, lacking the vigor of the experiment he has set himself to observe... His description intends to show the African and the Indian doomed by history in corresponding but opposing ways. (History is a coat cut only to the European.)
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Maybe knowledge doesn't accrue, maybe it doesn't happen sequentially. Maybe I need to go back and read Hunger of Memory again. Maybe there's a wisdom that I had in those years that I need to learn from now. And maybe there will be a year when I will have the courage to read that book. When I think about it or when I hear other people talk about it, it strikes me as very naked prose, and I'm embarrassed by it. I'm embarrassed by how much I told you. And people say, "Well you didn't tell us you were gay." Or "You didn't tell us you had all these friends or that you were student body president. You never said that." I think to myself, "My God, but what I told you I've never told anybody. And I'll never tell anybody again."
Richard Rodriguez
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In America, the Indian is relegated to the obligatory first chapter – the Once Great Nation chapter – after which the Indian is cleared away as easily as brush, using a very sharp rhetorical tool called an 'alas'.
Richard Rodriguez
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I am speaking of those years before the middle class took professional wrestling away from the working class and made of our morality play a mockery of ambition.
Richard Rodriguez
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The boy who dreamed his escape on a train whistle floating east, ended up in a gated New Jersey suburb redrawing the map of the world. The world was his last invention. Odd that this self-made man who spent so much time with his long nose to the grindstone would evolve into the global seer, scholar of the world, statesman, not least a politician who wrote his own books. In a late interview, Frank Gannon asked Nixon if he believed he had lived a good life. Nixon replied, I don't get into that kind of crap. But what did he truly think in the end? His fall was as precipitous as any in American history.
Richard Rodriguez
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There is something called bilingual education—a scheme proposed in the late 1960s by Hispanic-American social activists, later endorsed by a congressional vote. It is a program that seeks to permit non-English-speaking children, many from lower-class homes, to use their family language as the language of school. (Such is the goal its supporters announce.) I hear them and am forced to say no: It is not possible for a child—any child—ever to use his family's language in school. Not to understand this is to misunderstand the public uses of schooling and to trivialize the nature of intimate life—a family's 'language.'
Richard Rodriguez
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At the dawn of a worldwide religious war that Americans prefer to name a war against terror, I feel myself drawn to Islam, drawn to read the Koran, even to kiss the Koran—melodramatically, but sincerely—as I did one evening recently in front of a university audience. I meant to honor Islam. I meant to convey that, as a Christian, I consider myself a loving brother to the Muslim, as I am to the Jew, by the favor of Father Abraham.
Richard Rodriguez
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A question about the authenticity of the soul, I suppose. Or the wishbone—some little tug-of-war; some tension. The tension I have come to depend upon. That is what I mean by brown. The answer is that I cannot reconcile. I was born a Catholic. Is homosexuality, then, a conversion experience? No. I was born gay. Is Catholicism ever a choice? Yes. No. Not at first. I embraced Catholicism without question. It was the air, it was the light. Years later, I came to Catholicism in deliberation, defeat—satirically, perhaps—nevertheless on my knees. How else to approach a church established for losers, for a kingdom not of this world, a kingdom of fools? Whatever faith I confess is based upon my certainty that I can do nothing.
Richard Rodriguez
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A priest visiting my parish preached a sermon wherein he referred to homosexuality as a lifestyle. By which he meant a choice. So, too, my beloved Father O'Neill (to whom I confessed as a child) said to my sister, a few months before he died, that he disapproved of Richard's lifestyle. Homosexuality requires cubism to illustrate itself, perhaps. But homosexuality is not a lifestyle. Homosexuality is an emotion—a physiological departure from homeostasis
Richard Rodriguez
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On the one side, the Mexican side, Mexican peasants are tantalized by the American possibility of change. On the other side, the American side, the tyranny of American optimism has driven Americans to neurosis and depression, when the dream is elusive or less meaningful than the myth promised. This constitutes the great irony of the Mexican-American border: American sadness has transformed the drug lords of Mexico into billionaires, even as the peasants of Mexico scramble through the darkness to find the American dream.
Richard Rodriguez
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My name came up in a conversation. Someone at the sherry party had wondered if the professor had seen my latest article on affirmative action. The professor replied with arch politeness, 'And what does Mr. Rodriguez have to complain about?' You who read this act of contrition should know that by writing it I seek a kind of forgiveness—not yours. The forgiveness, rather, of those many persons whose absence from higher education permitted me to be classed a minority student. I wish that they would read this. I doubt they ever will.
Richard Rodriguez
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No Chavez speech I have read or heard approaches the rhetorical brilliance of the Protestant ministers of the black civil rights
Richard Rodriguez
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Rodriguez: I get letters especially from older readers who are working class, and who know what that is like. That's why I take it that the energies of the book are mainly class and not ethnic.
Richard Rodriguez
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Mexico is a nineteenth-century country arranged for gaslight. Once brought into the harsh light of the twentieth-century media, Mexico can only seem false. In its male, in its public, its city aspect, Mexico is an arch-tranvestite, a tragic buffoon. Dogs bark and babies cry when Mother Mexico walks abroad in the light of day. The policeman, the Marxist mayor — Mother Mexico doesn't even bother to shave her mustachios. Swords and rifles and spurs and bags of money chink and clatter beneath her skirts. A chain of martyred priests dangles from her waist, for she is an austere, pious lady. Ay, how much — clutching her jangling bosoms; spilling cigars — how much she has suffered.
Richard Rodriguez
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Nothing else Chavez wrote during his life had such haunting power for me as that public prayer for a life of suffering; no utterance sounded so Mexican. Other cultures in the world assume the reality of suffering as something to be overcome. Mexico assumes the inevitability of suffering. That knowledge informs the folk music of Mexico, the bitter humor of Mexican proverb. To be a man is to suffer for others—you're going to suffer anyway.
Richard Rodriguez
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Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Richard Rodriguez
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Born:
July 31, 1944
(age 80)
Bio:
Richard Rodriguez is an American writer who became famous as the author of Hunger of Memory: The Education of Richard Rodriguez, a narrative about his intellectual development.
Known for:
Hunger of Memory (1982)
Brown (2002)
Days of Obligation (1992)
Re-Introducing God (2006)
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