Quotes about Rembrandt

36 Sourced Quotes

Gauguin, that curious artist, that alien whose mien and the look in whose eyes vaguely remind one of Rembrandt's "Portrait of a Man" in the Galerie Lacaze — this friend of mine likes to make one feel that a good picture is equivalent to a good deed; not that he says so, but it is difficult to be on intimate terms with him without being aware of a certain moral responsibility.

Vincent van Gogh

Imagine someone pointing to a place in the iris of a Rembrandt eye and saying, 'The walls of my room should be painted this color.

Ludwig Wittgenstein

With our enthusiastic adherence to Futurism, we will:
1. Destroy the cult of the past, the obsession with the ancients, pedantry and academic formalism.
2. Totally invalidate all kinds of imitation.
3. Elevate all attempts at originality, however daring, however violent.
4. Bear bravely and proudly the smear of 'madness' with which they try to gag all innovators.
5. Regard art critics as useless and dangerous.
6. Rebel against the tyranny of words: 'Harmony' and 'good taste' and other loose expressions which can be used to destroy the works of Rembrandt, Goya, Rodin..
7. Sweep the whole field of art clean of all themes and subjects which have been used in the past.
8. Support and glory in our day-to-day world, a world which is going to be continually and splendidly transformed by victorious Science.

Umberto Boccioni

In politics, he has always been a republican with advanced Socialist sympathies, and internationalist at heart, and, as they said in the eighteenth century, a "citizen of the world." He has always fought social injustice. In art, he loves, above all, Beethoven, Shakespeare, and Goethe... Rembrandt is the painter dearest to him. But his chosen country is Italy.

Perhaps God resembles one of the last etchings of Goya & not Velasquez, never Rembrandt no.

My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated. This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise. I'm not claiming or denying that I have done such a thing but I do believe in [Robert] Bresson's method of creation through omission, not through addition.

Abbas Kiarostami

Genius gives birth, talent delivers. What Rembrandt or Van Gogh saw in the night can never be seen again. Born writers of the future are amazed already at what they're seeing now, what we'll all see in time for the first time, and then see imitated many times by made writers.

In studying the problem of the painting of Christ's figure, I found it to be the painting of the great problem of life. To me He was the bringer of light to the darkness of the world. Many of the French artists wished to find the light in Nature. I wished to find the light within the figure that I was presenting. In Christ I grasped the embodiment of the outward and the inward light. I wished to bring things out of the darkness, as Rembrandt found all things through light.

Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition. Ruskin said in his Elements of Drawing, "Give me some mud off a city crossing, some ochre out of a gravel-pit, a little whitening, and some coal dust, and I will paint you a luminous picture, if you give me time to gradate my mud, and subdue my dust." In many works by the greatest colourists — Rembrandt and Watteau are examples — there are very few identifiable colours.

[Rembrandt] admired Seger's reworking of the [etch-]plate to create different states. This adventurous approach to printmaking [new developed by Segers] was taken up enthusiastically by Rembrandt, and gives a new significance undreamt of by Segers.

The convention by which the great events in biblical or secular history could be enacted only by magnificent physical specimens, handsome and well-groomed, went on for a long time — till the middle of the nineteenth century. Only a very few artists — perhaps only Rembrandt and Caravaggio in the first rank — were independent enough to stand against it. And I think that this convention, which was an element in the so-called grand manner, became a deadening influence on the European mind. It deadened our sense of truth, even our sense of moral responsibility.

Rembrandt is so deeply mysterious that he says things for which there are no words in any language.

Vincent van Gogh

Since music has never had a Rembrandt, we have remained nothing more than musicians.

Shakespeare and Rembrandt have in common the faculty of quickening speculation and compelling the minds of men to combat and discussion.

William Ernest Henley

One night in the early sixties I passed something on the Long Island Expressway just before the Queens tunnel that I must have seen for years. The billboard advertising cigars, Dutch Masters. I realized it was sort of perfect. It's weird isn't it? You're looking at Rembrandt - in neon! It was too much, it was irresistible.

A culture that gave the world the spiritual creations of the Classical Music of Mozart, Beethoven, Wagner and Schubert, the paintings of Michelangelo, and Raphael, Da Vinci and Rembrandt, does not need lessons from societies whose idea of spirituality is a heaven peopled with female virgins for the use of men, whose idea of heaven resembles a cosmic brothel.

Many great works of art have only form, the sculpture of the thing. Color as used to signify realization by men like Titian and Rembrandt, gives greater life and tactile experience to the work.

Remembrance, like Rembrandt, is dark but festive. Remembered ones dress up for the occasion and sit still. Memory is a photo studio de luxe on an infinite Fifth Power Avenue.

Vladimir Nabokov

Charles Murray, however, clearly believes that being able to cure fatal diseases is more important than some other things and that Rembrandt was a greater artist than your local sidewalk cartoon sketcher. Most people might regard this as obvious common sense but some of the intelligentsia may be seething with resentment at seeing their pet fetishes ignored.

One day the last portrait of Rembrandt and the last bar of Mozart will have ceased to be — though possibly a colored canvas and a sheet of notes will remain — because the last eye and the last ear accessible to their message will have gone.

Oswald Spengler

The one whom I honor most of all is Rembrandt. Rubens and Velasquez painted better than Rembrandt, but he was the greatest of all painters because he was most powerful humanly. His grasp of all things was from within out. He had something that surpassed all other painters-a great humanity. He is perhaps the only one who could have painted the Christ.

The same God who created Rembrandt created you, and you are as precious in God's sight as Rembrandt or anyone else.

I've always looked at other art. I think I'm still very influenced by Analytic Cubism and what Picasso and Braque did at the turn of the century. Recently I've been looking at late Rembrandt self-portraits and late Turners.

Helen Frankenthaler

Memories are like a still life painted by ten different student artists: some will be blue-based; others red; some will be as stark as Picasso and others as rich as Rembrandt; some will be foreshortened and others distant. Recollections are in the eye of the beholder; no two held up side by side will ever quite match.

My goal … not to go back to Rembrandt … but to bring the great tradition and whatever is great about it, up to date.