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Compare the saint who, asked what he would do if he had only an hour to live, replied that he would go on with his game of chess, since it was as much worship as anything else he had ever done.
Randall Jarrell
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Both in verse and in prose [Karl] Shapiro loves, partly out of indignation and partly out of sheer mischievousness, to tell the naked truths or half-truths or quarter-truths that will make anybody's hair stand on end; he is always crying: But he hasn't any clothes on! about an emperor who is half the time surprisingly well-dressed.
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If we were in the habit of reading poets their obscurity would not matter; and, once we are out of the habit, their clarity does not help.
Randall Jarrell
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It is ugly ducklings, grown either into swans or into remarkably big, remarkably ugly ducks, who are responsible for most works of art; and yet how few of these give a truthful account of what it was like to be an ugly duckling!—it is almost as if the grown, successful swan had repressed most of the memories of the duckling's miserable, embarrassing, magical beginnings. (The memories are deeply humiliating in two ways: they remind the adult that he was once more ignorant and gullible and emotional than he is; and they remind him that he once was, potentially, far more than he is.)
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Taking the chance of making a complete fool of himself — and, sometimes, doing so — is the first demand that is made upon any real critic: he must stick his neck out just as the artist does, if he is to be of any real use to art.
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... one straggles gracelessly through a wilderness of common sense. It is an experience for which the reader of modern criticism is unprepared: in that jungle through which one wanders, with its misshapen and extravagant and cannibalistic growths, bent double with fruit and tentacles, disquieting with their rank eccentric life, one comes surprisingly on something so palely healthy: a decorous plant, without thorns or flowers, rootless in the thin sand of the drawing room.
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Gertrude Johnson could feel no real respect for, no real interest in, anybody who wasn't a writer. For her there were two species: writers and people; and the writers were really people, and the people weren't.
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The soul has no assignments, neither cooks
Nor referees: it wastes its time. It wastes its time.
Here in this enclave there are centuries
For you to waste: the short and narrow stream
Of life meanders into a thousand valleys
Of all that was, or might have been, or is to be.
The books, just leafed through, whisper endlessly.
Randall Jarrell
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The Author to the Reader
I've read that Luther said (it's come to me
So often that I've made it into meter):
And even if the world should end tomorrow
I still would plant my little apple-tree.
Here, reader, is my little apple-tree.
Randall Jarrell
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I have trouble knowing what to do at parties. Prisoners tame mice, or make rings out of spoons: I analyze people's handwriting... or else ask you to tell me what you read when you were a child. (People speak unusually well of the books of their childhood, don't they? Or is this one more life-giving illusion?) I love to see a hard eye grow soft over Little Women... And, I've found, there's no children's book so bad that I mind your having liked it: about the tastes of dead children there is no disputing.
Randall Jarrell
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New Directions is a reviewer's nightmare; it's enough punishment to read it all, without writing about it too.
Randall Jarrell
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Kenneth Burke calls form the satisfaction of an expectation; The Man Who Loved Children is full of such satisfactions, but it has a good deal of the deliberate disappointment of an expectation that is also form.
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The firelight of a long, blind, dreaming story
Lingers upon your lips; and I have seen
Firm, fixed forever in your closing eyes,
The Corn King beckoning to his Spring Queen.
Randall Jarrell
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Gertrude knew better than this, of course, but we all know better than we know better, or act as if we did.
Randall Jarrell
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A Little Treasury of Modern Poetry is a standard Oscar Williams production...... the book has the merit of containing a considerably larger selection of Oscar Williams's poems than I have seen in any other anthology. There are nine of his poems — and five of Hardy's. It takes a lot of courage to like your own poetry almost twice as well as Hardy's.
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Underneath all his writing there is the settled determination to use certain words, to take certain attitudes, to produce a certain atmosphere; what he is seeing or thinking or feeling has hardly any influence on the way he writes. The reader can reply, ironically, "That's what it means to have a style"; but few people have so much of one, or one so obdurate that you can say of it, "It is a style that no subject can change."
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In Stage II guilt is first of all social, liberal, moral guilt—a guilt so general as to seem almost formal. It is we who are responsible, either by commission or—more generally—by omission, for everything from killing off the Tasmanians to burning the books at Alexandria. (You didn't do it? Then you should have stopped them from doing it. You never heard of it? Ignorant as well as evil, eh? You weren't born? You're guilty, I tell you—guilty.)
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Who would be such a fool as to make advances to his reader, advances which might end in rejection or, worse still, in acceptance?
Randall Jarrell
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[Kenneth Patchen] has a real, but disorganized, self-indulgent, but rather commonplace talent.
This is not Mr. Patchen's opinion of himself. (Nor is it that of William Carlos Williams, who almost invents a new language, a kind of system of emotional nonsense syllables, in his effort to praise Mr. Patchen properly. For instance, Mr. Patchen is a hawk on the grave of John Donne. I should have called him a parrot on the stones of half a cemetery.)
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Ruskin says that anyone who expects perfection from a work of art knows nothing of works of art. This is an appealing sentence that, so far as I can see, is not true about a few pictures and statues and pieces of music, short stories and short poems. Whether or not you expect perfection from them, you get it; at least, there is nothing in them that you would want changed. But what Ruskin says is true about novels: anyone who expects perfection from even the greatest novel knows nothing of novels.
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Many young poets, nowadays, are insured against everything. For them poetry is a game like court tennis or squash racquets — one they learned at college — and they play it with propriety, as part of their social and academic existence; their poems are occasional verse for which life itself is only one more occasion.
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The best of causes ruins as quickly as the worst; and the road to Limbo is paved with writers who have done everything—I am being sympathetic, not satiric—for the very best reasons.
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Death and the devil, what are these to him?
His being accuses him — and yet his face is firm
In resolution, in absolute persistence;
The folds of smiling do for steadiness;
The face is its own fate — a man does what he must —
And the body underneath it says: I am.
Randall Jarrell
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An author frequently chooses solemn or overwhelming subjects to write about; he is so impressed at writing about Life and Death that he does not notice that he is saying nothing of the slightest importance about either.
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If Benton had had an administration building with pillars it could have carved over the pillars: Ye shall know the truth, and the truth shall make you guilty.
Randall Jarrell
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One thinks with awe and longing of this real and extraordinary popularity of hers [Edna St. Vincent Millay's]: if there were some poet—Frost, Stevens, Eliot—whom people still read in canoes!
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People always ask: For whom does the poet write? He needs only to answer, For whom do you do good? Are you kind to your daughter because in the end someone will pay you for being?... The poet writes his poem for its own sake, for the sake of that order of things in which the poem takes the place that has awaited it.
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The nurse is the night
To wake to, to die in: and the day I live,
The world and its life are her dreams.
Randall Jarrell
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I shook myself; I was dreaming. As I went to bed the words of the eighth-grade class's teacher, when the class got to Evangeline, kept echoing in my ears: We're coming to a long poem now, boys and girls. Now don't be babies and start counting the pages. I lay there like a baby, counting the pages over and over, counting the pages.
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One of the most puzzling things about a novel is that the way it really was half the time is, and half the time isn't, the way it ought to be in the novel.
Randall Jarrell
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Quote of the day
A child educated only at school is an uneducated child.
George Santayana
Randall Jarrell
Born:
May 6, 1914
Died:
October 14, 1965
(aged 51)
Bio:
Randall Jarrell was an American poet, literary critic, children's author, essayist, novelist, and the 11th Consultant in Poetry to the Library of Congress, a position that now bears the title Poet Laureate.
Known for:
The Bat-Poet (1964)
Pictures from an Institution (1954)
The Animal Family (1965)
Poetry and the age (1953)
No Other Book: Selected Essays
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