In the sixties, the recycling of pop culture — turning it into Pop art and camp — had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures — and they use them not as larger-than-life jokes but as altars.
"A Bad Dream/A Masterpiece," review of The Moon in the Gutter (1983-09-19), p. 48. - State of the Art (1985)