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Orson Scott Card -
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Road poured out into a place of meadows and a few White man's buildings. Lots of wagons. Horses posted and tied, grazing on the meadow grass. Sounds of metal hammers ringing, chopping of axes in the wood, screech of saws going back and forth, all kinds of White-man forest-killing sounds. A White man's town.
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What is the White man? What does he do?
The White man is like a human being, but he crushes all other living things under his feet.
Then why, O Ta-Kumsaw, when I look into your heart, why is it that you do not wish to hurt the White man, that you do not wish to kill the White man?
The White man doesn't know the evil that he does. The White man doesn't feel the peace of the land, so how can he tell the little deaths he makes? I can't blame the White man. But I can't let him stay. So when I make him leave this land, I won't hate him.
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The White man never guessed at what the Red man saw and heard and felt. The White man brought death and emptiness to this place. The White man cut down wise old trees with much to tell; young saplings with many lifetimes of life ahead; and the White man never asked, Will you be glad to make a lodgehouse for me and my tribe? Hack and cut and chop and burn, that was the White man's way. Take from the forest, take from the land, take from the river, but put nothing back. The White man killed animals he didn't need, animals that did him no harm; yet if a bear woke hungry in the winter and took so much as a single young pig, the White man hunted him down and killed him in revenge. He never felt the balance of the land at all.
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What the White man had won with so much blood and dishonesty was not the living land of the Red man, but the corpse of that land. It was decay that the White man won. It would turn to dust in his hands, Alvin knew it.
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We don't go to Fort Chicago, said Ta-Kumsaw. We go to the holy place.
A church? asked Alvin.
Ta-Kumsaw laughed. You White people, when you make a place holy you build walls so nothing of the land can get in. Your god is nothing and nowhere, so you build a church with nothing alive inside, a church that could be anywhere, it doesn't matter—nothing and nowhere.
Well what does make a place holy? asked Alvin.
Because that's where the Red man talks to the land, and the land answers.
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Lolla-Wossiky is left like a White man then. Cut off from the land. Ground crunching underfoot. Branches snagging. Roots tripping. Animals running away.
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He didn't know if he had the right or not. Didn't know if he was taking like a Red man, just what the land offered, or stealing like a White man, murdering whatever it pleased him to kill.
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Slavery, that was a kind of alchemy for such White folk, or so they reckoned. They calculated a way of turning each bead of a Black man's sweat into gold and each moan of despair from a Black woman's throat into the sweet clear sound of a silver coin ringing on the money-changer's table. There was buying and selling of souls in that place. Yet there was nary a one of them who understood the whole price they paid for owning other folk.
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She don't set no store to see a king. Her pa a king back in Africa, and they shoot him dead. Them Portuguese slavers show her what it mean to be a king—it mean you die quick like everybody, and spill blood red like everybody, and cry out loud in pain and scared—oh, fine to be a king, and fine to see one. Do them White folk believe this lie?
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Very bad thing, killing little boy. But maybe Red man knows about whisky-Red, very thirsty, making crazy. Not like killing man to take his house or his woman or his land, like White man all the time.
Orson Scott Card
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Orson Scott Card
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Born:
August 24, 1951
(age 73)
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