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Naomi Wolf -
The Beauty Myth (1990)
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Pain is real when you get other people to believe in it. If no one believes in it but you, your pain is madness or hysteria or your own unfeminine inadequacy. Women have learned to submit to pain by hearing authority figures — doctors, priests, psychiatrists — tell us that what we feel is not pain.
Naomi Wolf
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Beauty is a currency system like the gold standard. Like any economy, it is determined by politics and in the modern age in the West it is the last, best belief system that keeps male dominance intact.
Naomi Wolf
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Beauty discrimination has become necessary, not from the perception that women will not be good enough, but that they will be, as they have been, twice as good.
Naomi Wolf
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What editors are obliged to appear to say that men want from women is actually what their advertisers want from women.
Naomi Wolf
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Western women have been controlled by ideals and stereotypes as much as by material constraints.
Naomi Wolf
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Health makes good propaganda. 'Proof' that women's activities outside the home are detrimental to the health and welfare of themselves, their families and the country as a whole lent impetus, writes Ann Oakley, to the nineteenth-century cult of domesticity. The ovaries were seen as collective property rather than the woman's own business, as the face and body outline are seen today. Who can argue with health?
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You do not win by struggling to the top of a caste system, you win by refusing to be trapped within one at all.
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A culture fixated on female thinness is not an obsession about female beauty, but an obsession about female obedience. Women's dieting has become what Yale psychologist Judith Rodin calls a 'normative obsession,' a never-ending passion play given international coverage out of all proportion to the health risks associated with obesity, and using emotive language that does not figure even in discussions of alcohol or tobacco abuse. […] Dieting is the most potent political sedative in women's history; a quietly mad population is a tractable one.
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Cosmetic surgery processes the bodies of woman-made women, who make up the vast majority of its patient pool, into man-made women.
Naomi Wolf
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The surgeons' market is imaginary, since there is nothing wrong with women's faces or bodies that social change won't cure; so the surgeons depend for their income on warping female self-perception and multiplying female self-hatred.
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No matter what a woman's appearance may be, it will be used to undermine what she is saying and taken to individualize - as her personal problem - observations she makes about the beauty myth in society.
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The beauty myth is always actually prescribing behavior and not appearance.
Naomi Wolf
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To ask women to become unnaturally thin is to ask them to relinquish their sexuality.
Naomi Wolf
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Today a woman must ignore her reflection in the eyes of her lover, since he might admire her, and seek it in the gaze of the God of Beauty, in whose perception she is never complete.
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The beauty myth moves for men as a mirage; its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion.
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Cosmetic surgery and the ideology of self-improvement may have made women's hope for legal recourse to justice obsolete.
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Culture stereotypes women to fit the myth by flattening the feminine into beauty-without-intelligence or intelligence-without-beauty; women are allowed a mind or a body but not both.
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The economics of industrialized countries would collapse if women didn't do the work they do for free: According to economist Marilyn Waring, throughout the West it generates between 25 and 40 percent of the gross national product.
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In drawing attention to the physical characteristics of women leaders, they can be dismissed as either too pretty or too ugly. The net effect is to prevent women's identification with the issues. If the public women is stigmatized as too 'pretty,' she's a threat, a rival--or simply not serious; if derided as too 'ugly,' one risks tarring oneself with the same brush by identifying oneself with her agenda.
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Women are mere "beauties" in men's culture so that culture can be kept male. When women in culture show character, they are not desirable, as opposed to the desirable, artless ingenue.
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The maturing of a woman who has continued to grow is a beautiful thing to behold. Or, if your ad revenue or your seven-figure salary or your privileged sexual status depend on it, it is an operable condition.
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What are other women really thinking, feeling, experiencing, when they slip away from the gaze and culture of men?
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As soon as a woman's primary social value could no longer be defined as the attainment of virtuous domesticity, the beauty myth redefined it as the attainment of virtuous beauty. It did so to substitute both a new consumer imperative and a new justification for economic unfairness in the workplace where the old ones had lost their hold over newly liberated women.
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At least a third of a woman's life is marked with aging; about a third of her body is made of fat. Both symbols are being transformed into operable condition
Naomi Wolf
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What becomes of a man who acquires a beautiful woman, with her 'beauty' his sole target? He sabotages himself. He has gained no friend, no ally, no mutual trust: She knows quite well why she has been chosen. He has succeeded in buying a mutually suspicious set of insecurities. He does gain something: the esteem of other men who find such an acquisition impressive.
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The Victorian woman became her ovaries, as today's woman has become her 'beauty.' Her reproductive value, as the 'aesthetic' value of her face and body today, 'came to be seen as a sacred trust, one that she must constantly guard in the interest of her race.'
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The more legal and material hindrances women have broken through, the more strictly and heavily and cruelly images of female beauty have come to weigh upon them.
Naomi Wolf
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Beauty provokes harassment, the law says, but it looks through men's eyes when deciding what provokes it.
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Most urgently, women's identity must be premised upon our 'beauty' so that we will remain vulnerable to outside approval, carrying the vital sensitive organ of self-esteem exposed to the air.
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For the first time in history, children are growing up whose earliest sexual imprinting derives not from a living human being, or fantasies of their own; since the 1960s pornographic upsurge, the sexuality of children has begun to be shaped in response to cues that are no longer human. […] Today's children and young men and women have sexual identities that spiral around paper and celluloid phantoms: from Playboy to music videos to the blank female torsos in women's magazines, features obscured and eyes extinguished, they are being imprinted with a sexuality that is mass-produced, deliberately dehumanizing and inhuman.
Naomi Wolf
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Quote of the day
Wars and elections are both too big and too small to matter in the long run. The daily work—that goes on, it adds up.
Barbara Kingsolver
Naomi Wolf
Creative Commons
Born:
November 12, 1962
(age 62)
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