She turned again, and this time she was closer. Her head nestled against my shoulder and she moved my hand up her body until I knew there was no marvel of engineering connected to the bra because there was no bra. And the studded belt she wore was the keystone to the whole ensemble, and when it was unsnapped the whole affair came apart in a whisper of black satin that folded back against the sand until all of her reflected the moonlight from above until I eclipsed the pale brilliance, and there was no sound except that of the waves and our breathing. Then soon even the waves were gone, and there was only the warmth of white skin and little muscles that played under my hand and the fragrance that was her mouth. The redhead had been right.

My Gun is Quick (1950)