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Mickey Spillane Quotes
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If you're a singer you lose your voice. A baseball player loses his arm. A writer gets more knowledge, and if he's good, the older he gets, the better he writes.
Mickey Spillane
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See, heroes never die. John Wayne isn't dead, Elvis isn't dead. Otherwise you don't have a hero. You can't kill a hero. That's why I never let him get older.
Mickey Spillane
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I don't research anything. If I need something, I'll invent it.
Mickey Spillane
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I'm a country boy. I hate New York. But that's where things happen, so I use it as a base for stories, I know enough about it. But I have to keep going back there.
Mickey Spillane
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They had dropped the body behind a pile of cement blocks from a partly shattered wall, pulling a broken section of sheetrock over to hide it from casual view. But there's nothing casual about a little kid who liked to play in junk and found himself stumbling over the mutilated body of what had been a redheaded woman. At one time she would have been beautiful, but death had erased all that.
Mickey Spillane
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I don't like people. I don't like any kind of people. When you get them together in a big lump they all get nasty and dirty and full of trouble. So I don't like people including you. That's what a misanthropist is.
Mickey Spillane
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She begged me to say something, but I let her squeeze it out herself. " The police came again, but Berga wouldn't tell them anything." The tongue moistened the lips again. The scarlet was starting to wash away and I could see the natural tones of of wet flesh. " The other men came... they were different from the police. Federal men, I think. They took her away. Before she came back... Those men came."
She put something into the last three words that wasn't in the others, some breathless, nameless fear. Her hands were tight balls with the nails biting into the palms. A glassiness had passed over her eyes while she thought about it, then vanished as if afraid it had been seen.
Mickey Spillane
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The roar of the.45 shook the room. Charlotte staggered back a step. Her eyes were a symphony of incredulity, an unbelieving witness to truth. Slowly, she looked down at the ugly swelling in her naked belly where the bullet went in.
"How c-could you?" she gasped.
I had only a moment before talking to a corpse, but I got it in.
"It was easy," I said.
Mickey Spillane
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I heard the screams through the thin mist of night and kicked the car to a stop at the curb. It wasn't that screams were new to the city, but they were out of place in this part of New York that was being gutted to make room for a new skyline. There was nothing but almost totally disemboweled buildings and piles of rubble for three blocks, every scrap of value long since carted away and only the junk wanted by nobody left remaining.
And there was a quality to the screams that was out of place too. There was total hysteria that only complete terror can induce and it was made by a child.
Mickey Spillane
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I'm the most translated writer in the world, behind Lenin, Tolstoy, Gorki and Jules Verne. And they're all dead...
Mickey Spillane
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When I started the paperback market, there were only a few good writers, now the market's loaded... you don't know which one to take.
Mickey Spillane
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Nobody reads a mystery to get to the middle. They read it to get to the end. If it's a letdown, they won't buy anymore. The first page sells that book. The last page sells your next book.
Mickey Spillane
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The woman inside was important now. Perhaps the most important in the world. What she knew would help destroy an enemy when she told it. My hands in my pockets balled into hard knots to keep from shaking and for a moment the throbbing ache of the welts and cuts that laced my skin stopped.
Mickey Spillane
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I have no fans. You know what I got? Customers. And customers are your friends.
Mickey Spillane
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They had left him for dead in the middle of a pool of blood in his own bedroom, his belly slit open like gaping barn doors, the hilt of the knife wedged against his sternum. But the only trouble was that he had stayed alive somehow, his life pumping out, managing to knock the telephone off the little table and dial me. Now he was looking up at me with seconds left and all he could do was force out the words, "Mike... there was no reason."
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In there. The words hit me hard. In there was my best friend lying on the floor dead. The body. Now I could call it that. Yesterday it was Jack Williams, the guy that shared the same mud bed with me through two years of warfare in the stinking slime of the jungle. Jack, the guy who said he'd give his right arm for a friend and did when he stopped a bastard of a Jap from slitting me in two. He caught the bayonet in the biceps and they amputated his arm.
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I was one of the first guys writing comic books, I wrote Captain America, with guys like Stan Lee, who became famous later on with Marvel Comics. Stan could write on three typewriters at once! I wrote the Human Torch, Submariner. I worked my way down. I started off at the high level, in the slick magazines, but they didn't use my name, they used house names. Anyway, then I went downhill to the pulps, then downhill further to the comics. I went downhill class-wise, but I went uphill, money-wise! I was making more money in the comics. I wrote the original Mike Hammer as a comic, Mike Danger.
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I'm not an author, I'm a writer, that's all I am. Authors want their names down in history; I want to keep the smoke coming out of the chimney.
Mickey Spillane
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Rainey, you've forgotten something. You've forgotten that I'm not a guy that takes any crap. Not from anybody. You've forgotten I've been in business because I stayed alive longer than some guys who didn't want me that way. You've forgotten that I've had some punks tougher than you'll ever be on the end of a gun and I pulled the trigger just to watch their expressions change.
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Even in that pale light I could see that she was more beautiful than ever, the black shadow of her hair framing a face I had seen every night in the misery of sleep for so long. Those deep brown eyes still had that hungry look when they watched mine and the lush fullness of her mouth glistened with a damp warmth of invitation.
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Don't worry, I don't underrate the cops. But cops can't break a guy's arm to make him talk, and they can't shove his teeth in with the muzzle of a.45 to remind him that you aren't fooling. I do my own leg work, and there are a lot of guys who will tell me what I want to know because they know what I'll do to them if they don't. My staff is strictly ex officio, but very practical.
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Hemingway hated me. I sold 200 million books, and he didn't. Of course most of mine sold for 25 cents, but still... you look at all this stuff with a grain of salt.
Mickey Spillane
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I couldn't think. I couldn't remember. I was wound up like a spring and ready to bust. All I could see was the dead guy in the middle of the room and my gun. My gun! Somebody grabbed at my arm and hauled me upright and the questions started again. That was as much as I could take. I gave a hell of a kick and a fat face in a fedora pulled back out of focus and started to groan, all doubled up. Maybe I laughed, I don't know.
Mickey Spillane
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The cops aren't exactly dumb, you know. We can get our own answers.
Not like I can. That's why you buzzed me so fast. You can figure things out as quickly as I can, but you haven't got the ways and means of doing the dirty work. That's where I come in. You'll be right behind me every inch of the way, but when the pinch comes I'll get shoved aside and you slap the cuffs on. That is, if you can shove me aside. I don't think you can.
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You walk down the street at night. It's raining out. The only sound is that of your own feet. There are city sounds too, but these you don't hear because at the end of the street is the woman you've been waiting for for seven long years and each muffled tread of your footsteps takes you closer and closer and the sound of them marks off seconds and days and months of waiting.
Then, suddenly, you're there, outside a dark-faced building, a brownstone anachronism that stares back dully with the defiant expression of the moronic and you have an impending sense of being challenged.
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His eyes had death in them, his and mine. His belly was bloated and I could smell the stench of a festering wound, the sickening odor of old blood impregnated into cloth. There was a wildness in his face and his mouth was a tight slash that showed all his teeth. Marv Kania was young, but right there he was as old as death itself.
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The phone rang.
It was a thing that had been sitting here, black and quiet like a holstered gun, unlisted, unknown to anybody, used only for local outgoing calls, and when it was triggered it had the soft, muted sound of a silenced automatic. The first ring was a warning sound. The second time would be death calling.
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I always wanted to have Mike Mazurki play Hammer... too bad he couldn't act.
Mickey Spillane
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If the public likes you, you're good. Shakespeare was a common, down-to-earth writer in his day.
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I know an awful lot of Hollywood people, who are so self-important, I can't understand it. My father was a good Irish saloon-keeper, my mother always said to him, 'Jack, how come you know everybody here' and he'd say, 'because I say hello'. I'm just like that, I've always been that way.
Mickey Spillane
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Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Mickey Spillane
Creative Commons
Born:
March 9, 1918
Died:
July 17, 2006
(aged 88)
Bio:
Frank Morrison Spillane, better known as Mickey Spillane, was an American author of crime novels, many featuring his signature detective character, Mike Hammer. More than 225 million copies of his books have sold internationally.
Known for:
I, the Jury (1947)
One Lonely Night (1951)
The Big Kill (1951)
The Killing Man (1989)
Vengeance Is Mine (1950)
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