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You can see that the care he took defiling the beauty he had forced in them was as precise and clean as his good hands which at night had developed the negatives, floating the sheets in the correct acids and watching the faces and breasts and pubic triangles and sofas emerge. The making and destroying coming from the same source, same lust, same surgery his brain was capable of. (On New Orleans photographer E. J. Bellocq)
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Kirpal's left hand swoops down and catches the dropped fork an inch from the floor and gently passes it into the fingers of his daughter, a wrinkle at the edge of his eyes behind his spectacles.
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He walked out of the hospital into the sun, into open air for the first time in months, out of the green-lit rooms that lay like glass in his mind. He stood there breathing everything in, the hurry of everyone. First, he thought, I need shoes with rubber on the bottom. I need gelato.
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Between the kitchen and the destroyed chapel a door led into an oval-shaped library. The space inside seemed safe except for a large hole at portrait level in the far wall, caused by mortar-shell attack on the villa two months earlier. The rest of the room had adapted itself to this wound, accepting the habits of weather, evening stars, the sound of birds.
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There was a time when mapmakers named the places they travelled through with the names of lovers rather than their own.
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Some events take a lifetime to reveal their damage and influence.
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What night gave Rafael was a formlessness in which everything had a purpose. As if darkness had a hidden musical language.
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When we are young we do not look into mirrors. It is when we are old, concerned with our name, our legend, what our lives will mean to the future. We become vain with the names we own, our claims to have been the first eyes, the strongest army, the cleverest merchant. It is when he is old that Narcissus wants a graven image of himself.
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I believe this. When we meet those we fall in love with, there is an aspect of our spirit that is historian, a bit of a pedant who reminisces or remembers a meeting when the other has passed by innocently…but all parts of the body must be ready for the other, all atoms must jump in one direction for desire to occur.
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If any of you on your journeys see her-shout to me, whistle...he sang, and it became a habit for audiences to shout and whistle in response to those lines. There was nowhere he could hide in such a song that had all of its doors and windows open, so that he could walk out of it artlessly, the antiphonal responses blending with him as if he were no longer on stage.
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She had a laugh that hinted it had rolled around once or twice in the mud.
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I am someone who has a cold heart. If I am beside a great grief I throw barriers up so the loss cannot go too deep or too far. There is a wall instantly in place, and it will not fall.
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So the books for the Englishman, as he listened intently or not, had gaps of plot like sections of a road washed out by storms, missing incidents as if locusts had consumed a section of tapestry, as if plaster loosened by the bombing had fallen away from a mural at night.
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This was the time in her life that she fell upon books as the only door out of her cell. They became half her world.
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Some people you just had to embrace, in some way or another, had to bite into the muscle, to remain sane in their company. You needed to grab their hand and clutch it like a downer so they would pull you into their midst. Otherwise they, walking casually down the street towards you, almost about to wave, would leap over a wall and be gone for months.
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Love is so small it can tear itself through the eye of a needle
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So we came to understand that small and important thing, that our lives could be large with interesting strangers who would pass us without any personal involvement.
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In Canada pianos needed water. You opened up the back and left a full glass of water, and a month later the glass would be empty. Her father had told her about the dwarfs who drank only at pianos, never in bars.
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Nicholas Temelcoff is famous on the bridge, a daredevil. He is given all the difficult jobs and he takes them. He descends into the air with no fear. He is a solitary. He assembles ropes, brushes the tackle and pulley at his waist, and falls off the bridge like a diver over the edge of a boat.
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Meanwhile with the help of an anecdote I fell in love. Words caravaggio. They have a power.
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He came to this country like a torch on fire and he swallowed air as he walked forward and he gave out light
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Moments before sleep are when she feels most alive, leaping across fragments of the day, bringing each moment into the bed with her like a child with schoolbooks and pencils. The day seems to have no order until these times, which are like a ledger for her, her body full of stories and situations.
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He will hear the rain before he feels it, a clicking on the dry grass, on the olive leaves.
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She had always wanted words, she loved them; grew up on them. Words gave her clarity, brought reason, shape.
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What is interesting and important happens mostly in secret, in places where there is no power.
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Quote of the day
Time and trouble will tame an advanced young woman, but an advanced old woman is uncontrollable by any earthly force.
Dorothy L. Sayers
Michael Ondaatje
Creative Commons
Born:
September 12, 1943
(age 80)
Bio:
Philip Michael Ondaatje is a Sri Lankan-born Canadian novelist and poet. He won the Booker Prize for his novel The English Patient, which was adapted as the 1996 film of the same name.
Known for:
The English Patient (1992)
Anil's Ghost (2000)
Divisadero (2007)
In the Skin of a Lion (1987)
Running in the Family (1982)
Most used words:
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desert
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