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Michael Ondaatje Quotes
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The first sentence of every novel should be: 'Trust me, this will take time but there is order here, very faint, very human.' Meander if you want to get to town.
Michael Ondaatje
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There are betrayals in war that are childlike compared with our human betrayals during peace. The new lovers enter the habits of the other. Things are smashed, revealed in a new light. This is done with nervous or tender sentences, although the heart is an organ of fire.
Michael Ondaatje
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Women want everything of a lover. And too often I would sink below the surface. So armies disappear under sand. And there was her fear of her husband, her belief in her honour, my old desire for self-sufficiency, my disappearances, her suspicions of me, my disbelief that she loved me. The paranoia and claustrophobia of hidden love.
Michael Ondaatje
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So many nurses had turned into emotionally disturbed handmaidens of the war, in their yellow-and-crimson uniforms with bone buttons.
Michael Ondaatje
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There was always, he thought, this pleasure ahead of him, an ace of joy up his sleeve so he could say you can do anything to me, take everything away, put me in prison, but I will know [her] when we are old.
Michael Ondaatje
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What began it all was the bright bone of a dream I could hardly hold onto.
Michael Ondaatje
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He walked out of the hospital into the sun, into open air for the first time in months, out of the green-lit rooms that lay like glass in his mind. He stood there breathing everything in, the hurry of everyone. First, he thought, I need shoes with rubber on the bottom. I need gelato.
Michael Ondaatje
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Between the kitchen and the destroyed chapel a door led into an oval-shaped library. The space inside seemed safe except for a large hole at portrait level in the far wall, caused by mortar-shell attack on the villa two months earlier. The rest of the room had adapted itself to this wound, accepting the habits of weather, evening stars, the sound of birds.
Michael Ondaatje
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There was a time when mapmakers named the places they travelled through with the names of lovers rather than their own.
Michael Ondaatje
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Some events take a lifetime to reveal their damage and influence.
Michael Ondaatje
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Kirpal's left hand swoops down and catches the dropped fork an inch from the floor and gently passes it into the fingers of his daughter, a wrinkle at the edge of his eyes behind his spectacles.
Michael Ondaatje
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Over the years, confusing fragments, lost corners of stories, have a clearer meaning when seen in a new light, a different place.
Michael Ondaatje
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We die containing a richness of lovers and tribes, tastes we have swallowed, bodies we have plunged into and swum up as if rivers of wisdom, characters we have climbed into as if trees, fears we have hidden as if in caves.
Michael Ondaatje
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I want to die on your chest but not yet she wrote sometime in the 13th century of our love
Michael Ondaatje
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He turns his back to the far shore and rows toward it. He can in this way travel away from, yet still see, his house....he feels he is riding a floating skeleton...Some birds in the almost-dark are flying as close to their reflections as possible.
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Here. Where I am anonymous and alone in a white room with no history and no parading. So I can make something unknown in the shape of this room. Where I am King of Corners.
Michael Ondaatje
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Why are you not smarter? It's only the rich who can't afford to be smart. They're compromised. They got locked years ago into privilege. They have to protect their belongings. No one is meaner than the rich. Trust me. But they have to follow the rules of their shitty civilised world. They declare war, they have honour, and they can't leave. But you two. We three. We're free.
Michael Ondaatje
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For we live with those retrievals from childhood that coalesce and echo throughout our lives, the way shattered pieces of glass in a kaleidoscope reappear in new forms and are songlike in their refrains and rhymes, making up a single monologue. We live permanently in the recurrence of our own stories, whatever story we tell.
Michael Ondaatje
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I have spent weeks in the desert, forgetting to look at the moon, he says, as a married man may spend days never looking into the face of his wife. These are not sins of omission but signs of pre-occuopation.
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A man in a desert can hold absence in his cupped hands knowing it is something more than water. There is a plant whose heart, if one cuts it out is replaced with fluid containing herbal goodness. Every morning one can drink the liquid amount of the missing heart.
Michael Ondaatje
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But we were interested in how our lives could mean something to the past. We sailed into the past.
Michael Ondaatje
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Don't we forgive everything of a lover? We forgive selfishness, desire, guile. As long as we are the motive for it...There are some European words you can never translate properly into another language.
Michael Ondaatje
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He has been disassembled by her. And if she has brought him to this, what has he brought her to?
Michael Ondaatje
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You must talk to me, Caravaggio. Or am I just a book? Something to be read, some creature to be tempted out of a loch and shot full of morphine, full of corridors, lies, loose vegetation, pockets of stones.
Michael Ondaatje
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This last night we tear into each other, as if to wound, as if to find the key to everything before morning.
Michael Ondaatje
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Could you fall in love with her if she wasn't smarter than you? I mean, she may not be smarter than you. But isn't it important for you to think she is smarter than you in order to fall in love? Think now.
Michael Ondaatje
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The desert, where there is the communal book of moonlight. We were among the rumour of wells. In the palace of winds.
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The joyful will stoop with sorrow, and when you have gone to the earth I will let my hair grow long for your sake, I will wander through the wilderness in the skin of a lion
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Everything is biographical, Lucian Freud says. What we make, why it is made, how we draw a dog, who it is we are drawn to, why we cannot forget. Everything is collage, even genetics. There is the hidden presence of others in us, even those we have known briefly. We contain them for the rest of our lives, at every border we cross.
Michael Ondaatje
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Fathers die.You keep on loving them in any way you can.You can't hide him away in your heart.
Michael Ondaatje
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Quote of the day
Every word she writes is a lie, including 'and' and 'the'.
Mary McCarthy
Michael Ondaatje
Creative Commons
Born:
September 12, 1943
(age 81)
Bio:
Philip Michael Ondaatje is a Sri Lankan-born Canadian novelist and poet. He won the Booker Prize for his novel The English Patient, which was adapted as the 1996 film of the same name.
Known for:
The English Patient (1992)
Anil's Ghost (2000)
Divisadero (2007)
In the Skin of a Lion (1987)
Running in the Family (1982)
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