Maurice Sendak - Children Quotes

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You cannot write for children... They're much too complicated. You can only write books that are of interest to them.

Maurice Sendak
The attitude towards children was: Keep them calm, keep them happy, keep them snug and safe. It's not a putdown of those earlier books. But basically, they went by the rules that children should be safe and that we adults should be their guardians. I got out of that, and I was considered outlandish. So be it.

Maurice Sendak
We've educated children to think that spontaneity is inappropriate. Children are willing to expose themselves to experiences. We aren't. Grownups always say they protect their children, but they're really protecting themselves. Besides, you can't protect children. They know everything.

Maurice Sendak
I don't believe in things literally for children. That's a reduction.

Maurice Sendak
I believe there is no part of our lives, our adult as well as child life, when we're not fantasizing, but we prefer to relegate fantasy to children, as though it were some tomfoolery only fit for the immature minds of the young. Children do live in fantasy and reality; they move back and forth very easily in a way we no longer remember how to do.

Maurice Sendak
Maybe there are lots of children or certainly those who are not drawn to my work because they don't want to see those shadows. But, I'm telling what it was like for me. And I know it was not unique for me.
I've known many children, many unhappy and many disturbed children who don't know how to talk about it. And you know, the strangest thing... the fan mail I get from kids are asking me questions which they do not ask their mothers and fathers. Because if they had, why write to me, a perfect stranger?

Maurice Sendak
When you hide another story in a story, that's the story I am telling the children.

Maurice Sendak
Certainly we want to protect our children from new and painful experiences that are beyond their emotional comprehension and that intensify anxiety; and to a point we can prevent premature exposure to such experiences. That is obvious. But what is just as obvious — and what is too often overlooked — is the fact that from their earliest years children live on familiar terms with disrupting emotions, fear and anxiety are an intrinsic part of their everyday lives, they continually cope with frustrations as best they can. And it is through fantasy that children achieve catharsis. It is the best means they have for taming Wild Things.

Maurice Sendak
I stress character, character, character. And for authors to go where you want; go where you will. Children will go everywhere.

Maurice Sendak
I refuse to lie to children. I refuse to cater to the bullshit of innocence.

Maurice Sendak
With books today, I'm not always sure if they're truthful or faithful to what's going on with children. If you look at the work of Tomi Ungerer, it's passionate, it's personal, it's marvelous and it's cuckoo, and it's that's kind of veracity that's always made for good children's literature.

Maurice Sendak
I was developing a child who I recognized as myself as a child, from my observations of other children around me in Brooklyn. We were wild creatures. We did things that were objectionable.

Maurice Sendak
Children who fight back, children who are full of excitement are the kind of children I like.

Maurice Sendak
Children are tough, though we tend to think of them as fragile. They have to be tough. Childhood is not easy. We sentimentalize children, but they know what's real and what's not. They understand metaphor and symbol. If children are different from us, they are more spontaneous. Grown-up lives have become overlaid with dross.

Maurice Sendak
What is a children's-book artist? A moron! Some ugly fat pip-squick of a person who can't be bothered to grow up. That's the way we're treated in the adult world of publishing.

Maurice Sendak
The blackbirds are in this book, they're both pro the kids and against the kids. Just like fate. Sometimes it goes your way. Sometimes... and also a blackbird is from my passion for Schubert songs and his blackbirds and his birds of doom or birds of good. … some people were baffled that in the last big picture of that book, there's a crucifix on the wall of the children's house. Everybody assumes the hero and heroine are Jewish and the mother is Jewish. They're not. They're not. — That was my point. Those kids were in the wrong place at the wrong time. And all children were in the Holocaust. Everybody was in the Holocaust. So, I made sure my hero and heroine were not Jewish children. That was too easy. That was too easy.

Maurice Sendak