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Privacy invasion is now one of biggest knowledge industries.
Marshall McLuhan
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The alphabet, when pushed to a high degree of abstract visual intensity, became typography. The printed word with its specialist intensity burst the bonds of medieval corporate guilds and monasteries, created extreme individualist patterns of enterprise and monopoly.
Marshall McLuhan
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When the evolutionary process shifts from biology to software technology the body becomes the old hardware environment. The human body is now a probe, a laboratory for experiments.
Marshall McLuhan
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The media themselves are the avant-garde of our society. Avant-garde no longer exists in painting, music and poetry, it's the media themselves.
Marshall McLuhan
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The name of a man is a numbing blow from which he never recovers.
Marshall McLuhan
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The natural magic of the camera obscura anticipated Hollywood in turning the spectacle of the external world into a consumer commodity or package.
Marshall McLuhan
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The spoken word was the first technology by which man was able to let go of his environment in order to grasp it in a new way.
Marshall McLuhan
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Q: Why is America the land of the overrated child and the underrated adult? Q: How can children grow up in a world in which adults idolize youthfulness? Q: What happens when the ad makers taker over all the popular myths and poetry?
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Disarmament is illogical and futile, unless one is prepared to regard the available means of production and social organization as affording unique social ends. To divert electrical energy and circuitry into atomic bombs shows the same imaginative power as wiring the dining-room chairs to enable one to electrocute the sitter in the event that he might prove hostile. It is part of the age-old habit of using new means for old purposes instead of discovering what are the new goals contained in the new means.
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An expensive ad represents the toil, attention, testing, wit, art, and skill of many people. Far more thought and care go into the composition of any prominent ad in a newspaper or magazine than go into the writing of their features and editorials. Any expensive ad is as carefully built on the tested foundations of public stereotypes or 'sets' of established attitudes, as any skyscraper is built on bedrock.
Marshall McLuhan
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Applied knowledge in the Renaissance had to take the form of translation of the auditory into visual terms, of the plastic into retinal form.
Marshall McLuhan
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Advertising is an environmental striptease for a world of abundance.
Marshall McLuhan
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One of the things that happens at the speed of light is that people lose their goals in life. So what takes the place of goals and objectives? Well, role-playing is coming in very fast.
Marshall McLuhan
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The existential trauma had a physical basis in the first electric extension of our nervous system.
Marshall McLuhan
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The newspaper is a corporate symbolist poem, environmental and invisible, as poem.
Marshall McLuhan
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Renaissance Italy became a kind of Hollywood collection of sets of antiquity, and the new visual antiquarianism of the Renaissance provided an avenue to power for men of any class.
Marshall McLuhan
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There is no connection between the elements in an electric world, which is equivalent to being surrounded by the human unconscious.
Marshall McLuhan
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Prolonged mimesis of the alphabet and its fragmenting properties produced a new dominant mode of perception and then of culture.
Marshall McLuhan
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The Concept of Dread, by Søren Kierkegaard, appeared in 1844, first year of the commercial telegraph... It mentions the telegraph as a reason for dread and nowness or existenz.
Marshall McLuhan
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The uniformity and repeatability of print created the political arithmetic of the seventeenth century and the hedonistic calculus of the eighteenth.
Marshall McLuhan
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African audiences cannot accept our passive consumer role in the presence of film.
Marshall McLuhan
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Violence, whether spiritual or physical, is a quest for identity and the meaningful. The less identity, the more violence.
Marshall McLuhan
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The anguish of the third dimension is given its first verbal manifestation in poetic history in King Lear.
Marshall McLuhan
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The magic of the cave image lies in its being, not in its being seen. The symbolic does not refer. It is.
Marshall McLuhan
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Typography extended its character to the regulation and fixation of languages.
Marshall McLuhan
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Radical changes of identity, happening suddenly and in very brief intervals of time, have proved more deadly and destructive of human values than wars fought with hardware weapons.
Marshall McLuhan
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The future masters of technology will have to be lighthearted and intelligent. The machine easily masters the grim and the dumb.
Marshall McLuhan
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Hypnotized by their rear-view mirrors, philosophers and scientists alike tried to focus the figure of man in the old ground of nineteenth-century industrial mechanism and congestion. They failed to bridge from the old figure to the new. It is man who has become both figure and ground via the electrotechnical extension of his awareness. With the extension of his nervous system as a total information environment, man bridges art and nature.
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Until more than two centuries after printing nobody discovered how to maintain a single tone or attitude throughout a prose composition.
Marshall McLuhan
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The victory over Euclidean space was not achieved by isolated individuals, but by a field of young rebels opposed to all absolutes.
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Quote of the day
Our passions are most like to floods and streams; The shallow murmur, but the deep are dumb.
Walter Raleigh
Marshall McLuhan
Creative Commons
Born:
July 21, 1911
Died:
December 31, 1980
(aged 69)
Bio:
Herbert Marshall McLuhan was a Canadian philosopher of communication theory and a public intellectual.
Known for:
Understanding Media (1964)
The Gutenberg Galaxy (1962)
The Mechanical Bride (1951)
From Cliché to Archetype (1970)
Most used words:
man
media
technology
space
environment
culture
electric
visual
medium
ground
human
people
age
form
war
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