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Karel Appel -
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It's like this - you are in front of your canvas, you hand holds the paint, ready, raised. The canvas waits, waits, empty and white - but all the time it knows what it wants. So - what does it want, anyway? My hand comes near, my eyes begin to transform the waiting canvas; and when - with my hands holding the paint and my eyes seeing the forms - I touch the canvas, it trembles, it comes to life.
Karel Appel
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The struggle begins, to harmonize canvas, eye, hand, forms. New appirations stalk the earth.
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You can see the roughness of structure and the spots like wounds from battles on the canvas. The tops of skyscrapers with windows like eyes constantly remind you that there are laws surrounding the wastelands, and so you hide in the deep grass when you make love to a girl in dirty clothes, and experience how your nerves of seeing become stronger and stronger and every little sound more and more intense. That's what Pasolini's poetry is partly about; he was a street guy and therefore I avoided beautiful new wood or metal for his sculpture... The wasteland was Pasolini's other side; the boys, the knives, the nights, the tensions.
Karel Appel
Quote of the day
Example is not the main thing in influencing others. It is the only thing.
Albert Schweitzer
Karel Appel
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Born:
April 25, 1921
Died:
May 3, 2006
(aged 85)
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