John Constable Quotes

51 Sourced Quotes

I have likewise made many 'skies' and effects — for I wish it could be said of me as Fuselli says of Rembrandt, 'he followed nature in her calmest abodes and could pluck a flower on every hedge — yet he was born to cast a steadfast eye on the bolder phenomena of nature'... We have had noble clouds & effects of light & dark & color.

John Constable
In Claude's landscape all is lovely—all amiable—all is amenity and repose;—the calm sunshine of the heart.

John Constable
He seems to paint with tinted steam, so evanescent, and so airy.

John Constable
My picture [A Boat Passing a Lock, 1823-6] is liked at the [Royal] Academy, indeed it forms a decided feature and its light can not be put out. Because it is the light of nature — the Mother of all that is valuable in poetry — painting or anything else... my execution annoys most of them and all the scholastic ones – perhaps the scarifies I make for 'lightness' and 'brightness' is too much but these things are the essence of Landscape.

John Constable
When I sit down to make a sketch from nature, the first thing I try to do is to forget that I have ever seen a picture.

John Constable
A sketch will not serve more than one state of mind & will not serve to drink at again & again — in a sketch there is nothing but the one state of mind — that which you were in at the time.

John Constable
Here I am quite alone amongst the Oaks and solitudes of Helmingham Park. I have taken quiet possession of the parsonage finding it quite empty. A woman comes up from the farm house (where I eat) and makes the bed; and I am left at liberty to wander were I please during the day. There are abundance of fine trees of all sort; through the place upon the whole affords good objects [rather] than fine scenery, but I can badly judge yet what I may have to shew You. I have made one of two... drawing that may be useful. I shall not come home yet.

John Constable
Because he attempted to tell [in his painting 'The Jewish Cemetery' painted by Ruisdael,] that which is outside the reach of art.... there are ruins to indicate old age, a stream to signify the course of life, and rocks and precipices to shadow forth its dangers. But how are we to discover all this?

John Constable
It is always my endeavour however in making a picture that it should be without a companion in the world. At least such should be a painters ambition.

John Constable
I ought to respect myself for my friends' sake, and my children's. It is time, at fifty-six, to begin, at least, to know oneself, — and I do know what I am not, and your regard for me has at least awakened me to believe in the possibility that I may yet make some impression with my "light" — my "dews" — my "breezes" — my bloom and freshness, — no one of which qualities has yet been perfected on the canvas of any painter in the world.

John Constable
The world is wide; no two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of the world.

John Constable
I am glad you encouraged me with the 'Stoke' [his painting 'Stoke-by-Nayland', circa 1835] What say you to a summer morning? July or August, at eight or nine o'clock, after a slight shower during the night, to enhance the dews in the shadowed part of the picture, under 'Hedge row elms and hillocks green.' Then the plough, cart, horse, gate, cows, donkey, &c. are all good paintable material for the foreground, and the size of the canvas sufficient to try one's strength, and keep one at full collar.

John Constable
It is much to my advantage that several of my pictures should be seen together, as it displays to advantage their varieties of conception and also of execution, and what they gain by the mellowing hand of time which should never be forced or anticipated. Thus my pictures when first coming forth have a comparative harshness which at the time acts to my disadvantage.

John Constable
A self-taught painter is one taught by a very ignorant person.

John Constable
The attempt to revive styles that have existed in former ages, may for a time appear to be successful, but experience may now surely teach us its impossibility. I might put on a suit of Claude Lorraine's clothes and walk into the street, and the many who knew Claude but slightly would pull off their hats to me, but I should at last meet with some one, more intimately acquainted with him, who would expose me to the contempt I merited. It is thus in all the fine arts. A new Gothic building, or a new missal, is in reality little less absurd than a new ruin.

John Constable
We must bear in recollection that the sentiment of the picture is that of solemnity, not gaiety & nothing garish, but the contrary — yet it must be bright, clear, alive fresh, and all the front seen.

John Constable
A gentleman's park—is my aversion. It is not beauty because it is not nature.
Of Fonthill

John Constable
I am anxious that the world should be inclined to look to painters for information about painting. I hope to show that ours is a regularly taught profession; that it is scientific as well as poetic; that imagination alone never did, and never can, produce works that are to stand by a comparison with realities.

John Constable
I am just returned…with a deep conviction of Sir Joshua Reynolds' observation that there is no easy way of becoming a good painter. It can only be obtained by long contemplation and incessant labour.

John Constable
The climax of absurdity to which the art may be carried, when led away from nature by fashion, may be best seen in the works of Boucher... His landscape, of which he was evidently fond, is pastoral; and such pastorality! the pastoral of the Opera house.

John Constable
I have been living a hermit-life, though always with my pencil in my hand... How much real delight have I had with the study of landscape this summer! Either I am myself improved in the art of seeing nature, which Sir Joshua call painting, or nature has unveiled her beauties to me less fastidiously. Perhaps there is something of both, so we will divide the compliment.

John Constable