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Italo Calvino Quotes
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So you begin to wonder if Leonia's true passion is really, as they say, the enjoyment of new and different things, and not, instead, the joy of expelling, discarding, cleansing itself of a recurrent impurity.
Italo Calvino
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New York is perhaps the only place in America where you feel at the centre and not at the margins, in the provinces, so for that reason I prefer its horror to this privileged beauty, its enslavement to the freedoms which remain local and privileged and very particularized, and which do not represent a genuine antithesis.
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Why come to Trude? I asked myself. And I already wanted to leave. You cand resume your flight whereever you like," they say to me, "but you will arive at another Trude, absolutely the same, detail by detail. The world is covered by a sole Trude which does not begin and does not end. Only the names of the airport changes.
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Work stops at sunset. Darkness falls over the building site. The sky is filled with stars. "There is the blueprint," they say.
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Nobody looks at the moon in the afternoon, and this is the moment when it would most require our attention, since its existence is still in doubt.
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Whenever humanity seems condemned to heaviness, I think I should fly like Perseus into a different space. I don't mean escaping into dreams or the irrational. I mean that I have to change my approach, look at the world from a different perspective, with a different logic and with fresh methods of cognition and verification. (Terence sent me this quote the other day. A good battle cry, I believe... and one I wholeheartedly respect.)
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A classic is the term given to any book which comes to represent the whole universe, a book on a par with ancient talismans.
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With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else.
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Elsewhere is a negative mirror. The traveler recognizes the little that is his, discovering the much he has not had and will never have.
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At times the mirror increases a thing's value, at times denies it.
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There is still one of which you never speak.' Marco Polo bowed his head. 'Venice,' the Khan said. Marco smiled. 'What else do you believe I have been talking to you about?' The emperor did not turn a hair. 'And yet I have never heard you mention that name.' And Polo said: 'Every time I describe a city I am saying something about Venice.
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The unconscious is the ocean of the unsayable, of what has been expelled from the land of language, removed as a result of ancient prohibitions.
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I have tried to remove weight, sometimes from people, sometimes from heavenly bodies, sometimes from cities; above all I have tried to remove weight from the structure of stories and from language.
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You reach a moment in life when, among the people you have known, the dead outnumber the living. And the mind refuses to accept more faces, more expressions: on every new face you encounter, it prints the old forms, for each one it finds the most suitable mask.
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Arriving at each new city, the traveler finds again a past of his that he did not know he had: the foreignness of what you no longer are or no longer possess lies in wait for you in foreign, unpossessed places.
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The ultimate meaning to which all stories refer has two faces: the continuity of life, the inevitability of death.
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What harbor can receive you more securely than a great library?
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You take delight not in a city's seven or seventy wonders, but in the answer it gives to a question of yours.
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It is only through the confining act of writing that the immensity of the nonwritten becomes legible
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Futures not achieved are only branches of the past: dead branches.
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The sea where living creatures were at one time immersed is now enclosed within their bodies.
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I had fallen in love. What I mean is: I had begun to recognize, to isolate the signs of one of those from the others, in fact I waited for these signs I had begun to recognize, I sought them, responded to those signs I awaited with other signs I made myself, or rather it was I who aroused them, these signs from her, which I answered with other signs of my own...
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For those who pass it without entering, the city is one thing; it is another for those who are trapped by it and never leave. There is the city where you arrive for the first time; and there is another city which you leave never to return. Each deserves a different name; perhaps I have already spoken of Irene under other names; perhaps I have spoken only of Irene.
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In the even more congested times that await us, literature must aim at the maximum concentration of poetry and of thought.
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If a lover is wretched who invokes kisses of which he knows not the flavor, a thousand times more wretched is he who has had a taste of the flavor and then had it denied him.
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The book I'm looking for,' says the blurred figure, who holds out a volume similar to yours, 'is the one that gives the sense of the world after the end of the world, the sense that the world is the end of everything that there is in the world, that the only thing there is in the world is the end of the world.
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You walk for days among trees and among stones. Rarely does the eye light on a thing, and then only when it has recognized that thing as the sign of another thing: a print in the sand indicates the tiger's passage; a marsh announces a vein of water; the hibiscus flower, the end of winter. All the rest is silent and interchangeable; trees and stones are only what they are.
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Then we have computer science. It is true that software cannot exercise its powers of lightness except through the weight of hardware. But it is the software that gives the orders, acting on the outside world and on machines that exist only as functions of software and evolve so that they can work out ever more complex programs. The second industrial revolution, unlike the first, does not present us with such crushing images as rolling mills and molten steel, but with "bits" in a flow of information traveling along circuits in the form of electronic impulses. The iron machines still exist, but they obey the orders of weightless bits.
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Who are we, who is each one of us, if not a combinatoria of experiences, information, books we have read, things imagined?
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This is what I mean when I say I would like to swim against the stream of time: I would like to erase the consequences of certain events and restore an initial condition. But every moment of my life brings with it an accumulation of new facts, and each of these new facts bring with it consequences; so the more I seek to return to the zero moment from which I set out, the further I move away from it....
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Quote of the day
There are no countries in the world less known by the British than these selfsame British Islands, or where more strange things are every day occurring.
George Borrow
Italo Calvino
Creative Commons
Born:
October 15, 1923
Died:
September 19, 1985
(aged 61)
Bio:
Italo Calvino was an Italian journalist and writer of short stories and novels.
Known for:
Invisible Cities (1972)
If On A Winter's Night A Traveller (1979)
The Baron in the Trees (1957)
Cosmicomics (1965)
The Nonexistent Knight (1959)
Most used words:
city
literature
books
language
signs
cities
life
reading
time
speak
moment
space
inferno
read
events
Italo Calvino on Wikipedia
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