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Literary criticism has about it neither rigour nor proof. Where it is honest, it is passionate, private experience seeking to persuade.
George Steiner
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The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men's genius.
George Steiner
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There would be no history as we know it, no religion, no metaphysics or aesthetics as we have lived them, without an initial act of trust, of confiding, more fundamental, more axiomatic by far than any social contract or covenant with the postulate of the divine. This instauration of trust, this entrance of man into the city of man, is that between word and world.
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A book can wait a thousand years unread until the right reader happens to come along.
George Steiner
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To many writers and thinkers, though not to all, another text is, or can be, the most naked and charged of life-forces... The concept of allusion or analogue is totally inadequate. To Dante these other texts are the organic context of identity. They are as directly about life as life is about them.
George Steiner
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The very opposite of freedom is cliche, and nothing is less free, more inert with convention and hollow brutality, than a row of four-letter words.
George Steiner
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Fischer does not merely outplay opponents; he leaves them bodily and mentally glutted. Fisher himself speaks of the exultant instant in which he feels the 'ego of the other player crumbling.'
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He who has read Kafka's Metamorphosis and can look into his mirror unflinching may technically be able to read print, but is illiterate in the only sense that matters.
George Steiner
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Language is the main instrument of man's refusal to accept the world as it is.
George Steiner
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The letter kills the spirit. The written text is mute in the face of responding challenge. It does not admit of inward growth and correction. Text subverts the absolutely vital role of memory.
George Steiner
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If there is a chronic infirmity by which every teacher ought to be afflicted, it is, indeed, hope.
George Steiner
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To ask larger questions is to risk getting things wrong. Not to ask them at all is to constrain the life of understanding
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In aesthetic discourse, no interpretative-critical analysis, doctrine or programme is superseded, is erased, by any later construction. The Copernican theory did correct and supersede that of Ptolemy. The chemistry of Lavoisier makes untenable the early phlogiston theory. Aristotle on mimesis and pathos is not superseded by Lessing or Bergson. The Surrealist manifestos of Breton do not cancel out Pope's Essay on Criticism though they may well be antithetical to it.
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The poet's discourse can be compared to the track of a charged particle through a cloud-chamber. An energised field of association and connotation, of overtones and undertones, of rebus and homophone, surround its motion, and break from it in the context of collision.. in Western poetry so much of the charged substance is previous poetry.
George Steiner
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The intellectual is, quite simply, a human being who has a pencil in his or her hand when reading a book.
George Steiner
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The Jew has his anchorage not in place but in time, in his highly developed sense of history as personal context. Six thousand years of self-awareness are a homeland.
George Steiner
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To understand is to decipher. To hear significance is to translate.
George Steiner
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Tragedy speaks not of secular dilemmas which may be resolved by rational innovation, but of the unalterable bias toward inhumanity and destruction in the drift of the world.
George Steiner
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For many human beings, religion has been the music which they believe in.
George Steiner
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The ordinary man casts a shadow. In a way we do not quite understand, the man of genius casts light. Instinctively, we flinch from this light. We assure ourselves that genius must pay a terrible price. Often history bears us out: the creator, the supreme artist, the master of politics carries the scars of his greatness.
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If, in the Judaic perception, the language of the Adamic was that of love, the grammars of fallen man are those of the legal code.
George Steiner
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Fantasizing about action out there in the 'real' world, spinning dreams abut the secret centrality, about the occult importance of the labours in which he has interred his existence — labours that the vast majority of his fellow men would deem wholly marginal and socially wasteful if they knew of them at all — the pure scholar, the master of catalogues, can sup on hatred. At the ordinary level, he will exorcize his spleen in the ad-hominem nastiness of a book review, in the arsenic of a footnote. He will vent his resentments in the soft betrayals of an ambiguous recommendation or examination report and in the scorpion's round of a committee on tenure. The violence stays formal. Not, one supposes, in Professor Blunt.
George Steiner
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For it is a plain fact that, most certainly in the West, the writings, works of art, musical compositions which are of central reference, comport that which is "grave and constant" (Joyce's epithets) in the mystery of our condition.
George Steiner
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The really deep divergence between the humanistic and scientific sensibilities is one of temporality. Very nearly by definition, the scientist knows that tomorrow will be in advance of today. A twentieth-century schoolboy can manipulate mathematical and experimental concepts inaccessible to a Galileo or a Gauss. For a scientist the curve of the future is positive. Inevitably, the humanist looks back.
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Tragedy springs from outrage; it protests at the conditions of life. It carries in it the possibilities of disorder, for all tragic poets have something of the rebelliousness of Antigone. Goethe, on the contrary, loathed disorder. He once said that he preferred injustice, signifying by that cruel assertion not his support for reactionary political ideals, but his conviction that injustice is temporary and reparable whereas disorder destroys the very possibilities of human progress. Again, this is an anti-tragic view; in tragedy it is the individual instance of injustice that infirms the general pretence of order. One Hamlet is enough to convict a state of rottenness.
George Steiner
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Quote of the day
Autumn burned brightly, a running flame through the mountains, a torch flung to the trees.
Faith Baldwin
George Steiner
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Born:
April 23, 1929
Died:
February 3, 2020
(aged 90)
Bio:
Francis George Steiner was a French-born American literary critic, essayist, philosopher, novelist, and educator. He has written extensively about the relationship between language, literature and society, and the impact of the Holocaust.
Known for:
After Babel (1975)
Real presences (1986)
The Idea of Europe: An Essay (2004)
Tolstoy or Dostoevsky (1960)
The death of tragedy (1961)
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