Quotes about Frida Kahlo

6 Sourced Quotes

I've always been kind of obsessed with Frida Kahlo, so I was really into the idea of getting something that belonged to her. And then from Frida Kahlo I found out about Tina Modotti and then I started collecting her stuff and Edward Weston, and one person always leads to another person with me, because for me it started with Diego Rivera, then it went to Frida Kahlo, then it went to Tina, and Edward and... Also, if you're into Picasso, and you want to find out about him and that whole area of art and European culture, then you start reading about Man Ray and the surrealists and Andre Breton, and all of a sudden you're in that whole world and you start having interests in other people. It's like a disease.

"When I got my first paycheck, $5'000 or something. I bought a Leger and I bought a Frida Kahlo self-portrait, but I don't know which came first. But I remember buying it and I had just gotten married and it looked completely out of place in my house in Malibu." (When asked what was the first painting she bought).

I wanted to win it for one specific reason — to send the Oscar to the Frida Kahlo House in Mexico, where Frida herself once lived. It's going to bring a tear to my eye now. I wanted every Mexican who walked into that museum to remember that what motivated me to make this movie, to dream this dream, had everything to do with where I came from — and I didn't stop dreaming until I finished the film. But the dream was the movie, not the Oscar.

Feminism, for all its boasts, has not found a single major female painter or sculptor to add to the canon. It did revive the reputations of many minor women, like Frida Kahlo or Romaine Brooks. Mary Cassatt, Georgia O'Keeffe, and Helen Frankenthaler were already known and did not need rediscovery. Artemisia Gentileschi was simply a polished, competent painter in a Baroque style created by men.

We always write stories of tragedies because that's how we reach our human depth. How we get to the other side of it. We look at the cruelty, the darkness and horrific events that happened in our life whether it be a miscarriage or a husband who is not faithful. Then you find this ability to transcend. And that is called the passion, like the passion of Christ. You could call this the passion of Frida Kahlo, in a way.
When I talk about passion, and I'm not a religious person, but I absolutely am drawn and attracted to the power of religious art because it gets at that most extreme emotion of the human experience.

For throughout history, you can read the stories of women who - against all the odds - got being a woman right, but ended up being compromised, unhappy, hobbled or ruined, because all around them, society was still wrong. Show a girl a pioneering hero - Sylvia Plath, Dorothy Parker, Frida Kahlo, Cleopatra, Boudicca, Joan of Arc - and you also, more often than not, show a girl a woman who was eventually crushed.