I venture out to the great 'sujet'; but, I repeat, my painting always remains object painting; it starts around 1936 with 'Adam et Eve'. My figures humanise themselves further, but I always stick to the pictorial circumstance – no eloquence, no romanticism -


Bekentnisse und Gespräche, Fernand Léger, André Verdet, Zürich 1957, pp. 32-33


I venture out to the great 'sujet'; but, I repeat, my painting always remains object painting; it starts around 1936 with 'Adam et Eve'. My figures...

I venture out to the great 'sujet'; but, I repeat, my painting always remains object painting; it starts around 1936 with 'Adam et Eve'. My figures...

I venture out to the great 'sujet'; but, I repeat, my painting always remains object painting; it starts around 1936 with 'Adam et Eve'. My figures...

I venture out to the great 'sujet'; but, I repeat, my painting always remains object painting; it starts around 1936 with 'Adam et Eve'. My figures...