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The three horizontal bands at the top [in his collage: landscape with paintings 1954] correspond to sea, sand and sky, while the yellow/white and red/white shapes at the bottom are the paintings – though of a kind I actually painted only later. It was the collage that suggested the idea of doing such paintings.
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I'm interested in the mass and color, the black and the white, the edges happen because the forms get as quiet as they can be.
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When I want to do a painting with one colour overlapping another, it has to be a real overlap, not a depicted overlap. I didn't want to paint an overlap, meaning that it would be a deception or illusion. I no longer wanted to depict space, but to make a work that existed in literal space. Thus, my recent works are one canvas as a relief over another canvas. Another important example of a panel painting that explores the idea of the mural was Red Yellow Blue White 1952. It's the only one I ever did using actual dyed fabric of ready-made colours, which moves the painting into the realm of real objects.
Ellsworth Kelly
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Every word she writes is a lie, including 'and' and 'the'.
Mary McCarthy
Ellsworth Kelly
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Born:
May 31, 1923
Died:
December 27, 2015
(aged 92)
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