I'm interested in the mass and color, the black and the white, the edges happen because the forms get as quiet as they can be.
Early 1960s : "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim Museum, New York 1997, p. 11
I'm interested in the mass and color, the black and the white, the edges happen because the forms get as quiet as they can be.
Early 1960s : "Ellsworth Kelly, a Retrospective", ed. Diane Waldman, Guggenheim Museum, New York 1997, p. 11