A romantic man often feels more uplifted with two women than with one: his love seems to hit the ideal mark somewhere between two different faces.


The Death of the Heart (1938)


A romantic man often feels more uplifted with two women than with one: his love seems to hit the ideal mark somewhere between two different faces.

A romantic man often feels more uplifted with two women than with one: his love seems to hit the ideal mark somewhere between two different faces.

A romantic man often feels more uplifted with two women than with one: his love seems to hit the ideal mark somewhere between two different faces.

A romantic man often feels more uplifted with two women than with one: his love seems to hit the ideal mark somewhere between two different faces.