Cyril Connolly - Writer Quotes

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A writer is in danger of allowing his talent to dull who lets more than a year go past without finding himself in his rightful place of composition, the small single unluxurious retreat of the twentieth century, the hotel bedroom.

Cyril Connolly
Whom the Gods wish to destroy, they first call promising.
Young writers if they are to mature require a period of between three and seven years in which to live down their promise. Promise is like the mediaeval hangman who after settling the noose, pushed his victim off the platform and jumped on his back, his weight acting a drop while his jockeying arms prevented the unfortunate from loosening the rope. When he judged him dead he dropped to the ground.

Cyril Connolly
I have called this style the Mandarin style, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.

Cyril Connolly
Flaubert spoke true: to succeed a great artist must have both character and fanaticism and few in this country are willing to pay the price. Our writers have either no personality and therefore no style or a false personality and therefore a bad style; they mistake prejudice for energy and accept the sensation of material well-being as a system of thought.

Cyril Connolly
I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.

Cyril Connolly
A great writer creates a world of his own and his readers are proud to live in it. A lesser writer may entice them in for a moment, but soon he will watch them filing out.

Cyril Connolly
I review novels to make money, because it is easier for a sluggard to write an article a fortnight than a book a year, because the writer is soothed by the opiate of action, the crank by posing as a good journalist, and having an air hole. I dislike it. I do it and I am always resolving to give it up.

Cyril Connolly
The more books we read, the clearer it becomes that the true function of a writer is to produce a masterpiece and that no other task is of any consequence.

Cyril Connolly
Failure on the other hand is infectious. The world is full of charming failures (for all charming people have something to conceal, usually their total dependence on the appreciation of others) and unless the writer is quite ruthless with these amiable footlers, they will drag him down with them.

Cyril Connolly
The shock, for an intelligent writer, of discovering for the first time that there are people younger than himself who think him stupid is severe.

Cyril Connolly
The Mandarin style at its best yields the richest and most complete expression of the English language. It is the diction of Donne, Browne, Addison, Johnson, Gibbon, de Quincey, Landor, Carlyle and Ruskin as opposed to that of Bunyan, Dryden, Locke, Defoe, Cowper, Cobbett, Hazlitt, Southey and Newman. It is characterized by long sentences with many dependent clauses, by the use of the subjunctive and conditional, by exclamations and interjections, quotations, allusions, metaphors, long images, Latin terminology, subtlety and conceits. Its cardinal assumption is that neither the writer nor the reader is in a hurry, that both are possessed of a classical education and a private income. It is Ciceronian English.

Cyril Connolly