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Bernhard Schlink -
The Reader (1995)
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The Odyssey is the story of motion both purposeful and purposeless, successful and futile. What else is the history of law?
Bernhard Schlink
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So I was still guilty. And if I was not guilty because one cannot be guilty of betraying a criminal, then I was guilty of having loved a criminal.
Bernhard Schlink
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In the past, I had particularly loved her smell. She always smelled freshed, freshly washed or of freshed laundry or fresh sweat or freshly loved
Bernhard Schlink
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What is law? Is it what is on the books, or what is actually enacted and obeyed in a society? Or is law what must be enacted and obeyed, whether or not it is on the books, if things are to go right?
Bernhard Schlink
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I took all the blame. I admitted mistakes I hadn't made, intentions I'd never had. Whenever she turned cold and hard, I begged her to be good to me again, to forgive me and love me. Sometimes I had the feeling that she hurt herself when she turned cold and rigid. As if what she was yearning for was the warmth of my apologies, protestations, and entreaties. Sometimes I thought she just bullied me. But either way, I had no choice.
Bernhard Schlink
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It wasn't that I forgot Hanna. But at a certain point the memory of her stopped accompanying me wherever I went. She stayed behind, the way a city stays behind as a train pulls out of the station. It's there, somewhere behind you, and you could go back and make sure of it. But why should you?
Bernhard Schlink
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When we open ourselves you yourself to me and I myself to you, when we submerge you into me and I into you when we vanish into me you and into you I Then am I me and you are you.
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It is hard for me to imagine that I felt good about behaving like that. I also remember that the smallest gesture of affection would bring a lump to my throat, whether it was directed at me or at someone else. Sometimes all it took was a scene in a movie. This juxtaposition of callousness and extreme sensitivity seemed suspicious even to me.
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It was more dangerous not to go; I was running the risk of becoming trapped in my own fantasies. So I was doing the right thing by going. She would behave normally, I would behave normally, and everything would be normal again.
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What a sad story, I thought for so long. Not that I now think it was happy. But I think it is true, and thus the question of whether it is sad or happy has no meaning whatever.
Bernhard Schlink
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Desires, memories, fears, passions form labyrinths in which we lose and find and then lose ourselves again.
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Sometimes the memory of happiness cannot stay true because it ended unhappily..
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She was struggling, as she always had struggled, not to show what she could do but to hide what she couldn't do. A life made up of advances that were actually frantic retreats and victories that were concealed defeats.
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Is this what sadness is all about? Is it what comes over us when beautiful memories shatter in hindsight because the remembered happiness fed not just on actual circumstances but on a promise that was not kept?
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I thought that if the right time gets missed, if one has refused or been refused something for too long, it's too late, even if it is finally tackled with energy and received with joy. Or is there no such thing as "too late"? Is there only "late," and is "late" always better than "never"? I don't know.
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I had to point at Hanna. But the finger I pointed at her turned back to me. I had loved her. I tried to tell myself that I had known nothing of what she had done when I chose her. I tried to talk myself into the state of innocence in which children love their parents. But love of our parents is the only love for which we are not responsible....And perhaps we are responsible even for the love we feel for our parents.
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The tectonic layers of our lives rest so tightly one on top of the other that we always come up against earlier events in later ones, not as matter that has been fully formed and pushed aside, but absolutely present and alive. I understand this. Nonetheless, I sometimes find it hard to bear.
Bernhard Schlink
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Bernhard Schlink
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Born:
July 6, 1944
(age 80)
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