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I love philosophy. It's fascinating to try to discover how perception, or experience, or memory works. I've always been a diehard relativist at heart, and I find it very interesting to read other people's philosophical ideas and how they see the world through their particular lens.
Andrew Sega
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Stylistic evolution comes from listening to what other people have done and making a Darwinistic modification.
Andrew Sega
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You could argue that there's maybe some mathematical interest in a Bach fugue, say, but the only thing that music does really well is "move" people — make them feel something.
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Religion is a simplistic answer that society has created in order to make people feel better, but there is little evidence as to its validity. There are thousands of religions in the world, each with their own "correct" answers, and each contradicting each other. For now the most sensible explanation to me is that we are the result of a lucky combination of cosmic factors, we're the "mold" that has grown on this particular planet and in a universe as vast as ours, it's expected that somewhere this would happen.
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I'd like to see people try to sample the sound less and try to sample the style a bit more. Some people see this sort of 'copying' as offensive... I'm inclined to think the opposite - all music is built on imitation and expansion.
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Well, when music "moves" someone, it doesn't necessarily have to be in a positive direction. Some people certainly get moved by darker music, and there are all sorts of emotions which music can create that are interesting — aggression, foreboding, anger, fear. Not everyone wants to feel happy all the time :)
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If someone gave me a million dollars to run a music label, I would focus on creating a specific artistic point of view, and creating some channel to build a fanbase. Warp Records was a great example of a label that had a particular style, and many people would buy records just because the artists were associated with the label.
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The problem these days is again just the sheer amount of music available, and that music isn't as important an experience in people's lives in the 21st century as it was previously.
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I think much of the conflict in the world is directly the result of people's varying interpretations of reality, or perhaps you could term it the "distortions" in their lenses. The best one can do is to try to consume as much knowledge as possible, both from your experiences, and from the words of others, in order to try to form a complete picture of the world.
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We started out in the middle ages creating music which had certain desirable physical properties (for example, a major chord sounds "nice" because the frequencies are in integer ratios to each other). And then as society evolved, we created these emotional contexts for certain instruments and progressions. Major-chord arpeggios sound "happy", minor chords sound "sad", chromatic scales can sound "scary", et cetera. In the 20th century, film soundtracks reinforced this point as people associated certain kinds of music with certain visual and emotional experiences. It's a giant feedback loop, really; once you grow up in a given culture, it leaves this musical fingerprint on you which colors your experiences.
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I think [Britney Spears] is a perfect example of an artificial construct — someone with a decent voice and a very marketable image, that producers and business people turned into a pop star. Unfortunately, I think it took a toll on her, mentally, and I feel bad for the trouble that success has brought onto her. However, her music is pretty disposable, and she doesn't have the intelligence and cultural impact of someone like, say, Madonna.
Andrew Sega
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I'm not a big fan of asynchronicity just for its own sake - a lot of people push rhythmic variation so far that the basic pulse of the music gets lost (and the listener is confused).
Andrew Sega
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Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Andrew Sega
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Born:
May 20, 1975
(age 49)
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