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By accepting the idea of endless pantheons of gods, I somehow accept these creatures as being distinct and separate from me, and not as being, to some degree, higher functions of me. Iain Sinclair was asking me about this: he asked me 'do you think they are inside you, or outside you?' The only answer I could come up with was, the more I think about it the inside is the outside. That the objective world and the non-objective world are the same thing, to some degree. Ideaspace and this space are the same space. Just different ends of the scale. That's not a very good explanation, but the best I can come up with so far.
Alan Moore
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I have a more fractal way of working, if you like, it is more like the way most people's minds actually work. They don't work in any linear way. When your mind wanders if you ever pay attention to some of the paths it takes, you generally find it's these paths of association that can link all over the place. …The movements of the mind don't follow any linear pattern, they can't be explained with a mechanistic, clockwork view. You could find quantum models of how the mind works that might fit.
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The twigs will be tied together in a neater and stronger bundle if they are all the same size and length. That's fascism. It suggests that you have two contrary organisational principles involved … One is a kind of linear, meccano-like organisation – tie up all the sticks, make sure they are the same length, and you have a brick wall or something. The other one – anarchy – is a more fractal more natural more human organisational system in that it organises society in much the same way that we organise our personalities. Where it is purely the interplay of neurons – we haven't got a king neuron that tells all the other neurons what to do. It seems to me to be a more emotionally natural way of working with other people.
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Annie Besant's book where she put forward the idea that theosophical mystical energies could be portrayed as colours or abstract shapes was practically the invention of abstract art. A lot of artists rushed out and read it and suddenly thought, 'oh God you could, you could portray love as a colour, or depression as a colour All of a sudden abstract art happens, a flowering out of occultism.
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There is an inverse relationship between imagination and money.
Alan Moore
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I like a film where you can see every penny of the budget up there on the screen.
Alan Moore
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Organised religion has corrupted one of the purest, most powerful and sustaining things in the human condition. It has imposed a middle management, not only in our politics and in our finances, but in our spirituality as well. The difference between religion and magic is the same as what we were talking about earlier – I think you could map that over those two poles of fascism and anarchism. Magic is closer to anarchism.
Alan Moore
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Yes, there is a conspiracy, in fact there are a great number of conspiracies that are all tripping each other up. And all of those conspiracies are run by paranoid fantasists and ham-fisted clowns. If you are on a list targeted by the CIA, you really have nothing to worry about. If however, you have a name similar to somebody on a list targeted by the CIA, then you are dead.
Alan Moore
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I despise the comic industry, but I will always love the comic medium.
Alan Moore
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The more I look at most of the art movements, it's all occultism, when you get down to it. The Surrealists were openly talking about being magicians.
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Once we were very different — our psyches constantly at war — [so] we struck a bargain, a spiritual compromise. We would grow more like each other, there would be a balance, but a bargain with a demon is no bargain at all. Demons cheat; it is their nature. Oh yes, I have grown more like Etrigan, and he… he too has grown more like Etrigan.
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In an era of stress and anxiety, when the present seems unstable and the future unlikely, the natural response is to retreat and withdraw from reality, taking recourse either in fantasies of the future or in modified visions of a half-imagines past
Alan Moore
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Som-Som would later learn that the girl's name was Book. Ambiguous and suggestive sentences swirled out from the maroon bud of her nipple. Verses of elegant and cryptic passion followed the orbit of her left eye. Her fingers dripped with poetry.
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In the beginning, there is just universe. There is no us. There is just God in His or Her universe. Then we separate God from the universe until we are trapped in it, in the universe we have created.
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If I realised the power of magic to worry and terrify people before, then I certainly would have used it before. Everyone freezes before it for different reasons – perhaps because it means madness to them, or because it means opening the door to a whole lot of stuff that the Age of Reason should have firmly bolted the door upon. A lot of concepts that we got rid of a long time ago that would be a bit creepy to have them back.
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Take disintegration far enough and you get a new form of integration. I tend to see all this in neural terms. It doesn't matter how big your brain is, or how many cells or neurons in it, what matters is the synaptic fusions, the connections that determine how intelligent you are. As with the individual, so with the macrocosm. That's how the kind of society I live in works, me and my friends and my contacts, we don't work in any hierarchical sense. No one wants a boss, to be a boss, to work under a boss. The people you like working with are the people you respect as individuals.
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There's a notion I'd like to see buried: the ordinary person. Ridiculous. There is no ordinary person.
Alan Moore
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There are people. There are stories. The people think they shape the stories, but the reverse is often closer to the truth.
Alan Moore
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It's cold and it's mean spirited and I don't like it here anymore.
Alan Moore
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They were kept in the dark, squatting there with nothing to dwell upon beyond the fact they were unclean. Even the touch of their shadow would sour the land, blighting crops that grew there.... At the end of their confinement they were led out blinking into the harsh and masculine glare of the sun. Their clothing was taken from them and destroyed. Their anger in darkness turning, unreleased, unspoken, it's mouth a red wound...
Alan Moore
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Maybe the world.. has run out of room.. for monsters.
Alan Moore
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It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
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I can deal with functionality on a practical level. And I still have this relationship with this imaginary snake. My imaginary pal. If I'm going to be dealing in totally imaginary territory, it struck me that it would be useful to have a native as a guide. So I can have my imaginary conversations with my imaginary snake, and maybe it gives me information I already knew in part of myself, and maybe I just needed to make up an imaginary snake to tell me it.
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Real life is messy, inconsistent, and it's seldom when anything ever really gets resolved. It's taken me a long time to realize that.
Alan Moore
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The DC comics were always a lot more true blue. Very enjoyable, but they were big, brave uncles and aunties who probably insisted on a high standard of you know mental and physical hygiene. Whereas the Stan Lee stuff, the Marvel comics, he went from one dimensional characters whose only characteristic was they dressed up in costumes and did good. Whereas Stan Lee had this huge breakthrough of two-dimensional characters. So, they dress up in costumes and do good, but they've got a bad heart. Or a bad leg. I actually did think for a long while that having a bad leg was an actual character trait.
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There is a house above the world, where the over-people gather.
There is a man with wings like a bird.
There is a man who can see across the planet and wring diamonds from its anthracite.
There is a man who moves so fast that his life is an endless gallery of statues.
In the house above the world, the over-people gather...
And sit...
And listen...
... To a dry, mad voice that whispers of Earthdeath.
Alan Moore
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The sexuality of creativity – on that level, human interaction becomes less of an oppressive pyramid and more of a dance, an orgy, something that you can imagine being a bit of fun. It seems to work naturally, except when order is imposed upon it, from above, and then everything starts getting a bit screwed up. The information, the energy, starts to get messed up.
Alan Moore
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The main thing that I learned about conspiracy theory is that conspiracy theorists actually believe in a conspiracy because that is more comforting. The truth of the world is that it is chaotic. The truth is, that it is not the Jewish banking conspiracy or the grey aliens or the 12 foot reptiloids from another dimension that are in control. The truth is more frightening, nobody is in control. The world is rudderless.
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I think that storytelling and creation are very close to what the center of what magic is about. I think not just for me, but for most of the cultures that have had a concept of magic, then the manipulation of language, and words, and thus of stories and fictions, has been very close to the center of it all.
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Did you think to kill me? There's no flesh or blood within this cloak to kill. There is only an idea. Ideas are bulletproof.
Alan Moore
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Quote of the day
Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Alan Moore
Creative Commons
Born:
November 18, 1953
(age 71)
Bio:
Alan Moore is an English writer primarily known for his work in comic books including Watchmen, V for Vendetta, and From Hell.
Known for:
From Hell (1999)
Batman: The Killing Joke (1988)
Alan Moore's Writing for Comics (2003)
Lost Girls (2006)
Voice of the Fire (1996)
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