Yves Klein - Work Quotes

7 Sourced Quotes

View all Yves Klein Quotes
As I lay stretched upon the beach of Nice, I began to feel hatred for birds which flew back and forth across my blue sky, cloudless sky, because they tried to bore holes in my greatest and most beautiful work.

Yves Klein
I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces? Because every work of creation, quite apart from its cosmic position, is the representation of pure phenomenology – every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate.

Yves Klein
My monochrome pictures are not my definite works, but the preparation for my works. They are the left-overs from the creative processes, the ashes. My pictures, after all, are only the title-deeds to my property which I have to produce when I am asked to prove that I am a proprietor.

Yves Klein
Every possible buyer of an immaterial pictorial sensitivity zone must realize that the fact that he accepts a receipt for the price which he has payed takes away all authentic immaterial value from the work, although it is in his possession. In order that the fundamental immaterial value of the zone belong to him and become a part of him, he must solemnly burn his receipt, after his first and last name, his address and the date of the purchase have been written on the stub of the receipt book.

Yves Klein
It was then that I remembered the colour blue, the blue of the sky in nice that was at the origin of my career as monochromist. I started work towards the end of 1956 and in 1957 I had an exhibition in Milan which consisted entirely of what I dared to call my 'Epoque bleue'.

Yves Klein
In case the buyer wishes this act of integration of the work of art with himself to take place, Yves Klein must.... plus two witness, throw half of the gold received in the ocean, into a river or in some place of nature where this gold cannot be retrieved by anyone. From this moment on, the immaterial pictorial sensitivity zone belongs to the buyer absolutely and intrinsically.

Yves Klein
I remain detached and distant, but it is under my eyes and my orders that the work of art must create itself [Klein directed on 9 March 1960 for the first time nude models who were painting the walls with their moving naked bodies, he called this "Anthropometry"]. Then, when the creation starts, I stand there, present at the ceremony, immaculate, calm, relaxed, perfectly aware of what is going on and ready to welcome the work of art that is coming into existence in the tangible world... Hours of preparation for something that is executed, with extreme precision, in a few minutes. Just as with a judo throw.

Yves Klein