Quotes about Wolfgang Amadeus Mozart
107 Sourced Quotes
On Pushkin's drama Mozart and Salieri:We see the contrast between the genius which does what it must and the talent which does what it can.
Something there is that can refresh and revivify older people: joy in the activities of the younger generation—a joy, to be sure, that is clouded by dark forebodings in these unsettled times. And yet, as always, the springtime sun brings forth new life, and we may rejoice because of this new life and contribute to its unfolding; and Mozart remains as beautiful and tender as he always was and always will be. There is, after all, something eternal that lies beyond reach of the hand of fate and of all human delusions. And such eternals lie closer to an older person than to a younger one oscillating between fear and hope. For us, there remains the privilege of experiencing beauty and truth in their purest forms.
The author's conviction on this day of New Year is that music begins to atrophy when it departs too far from the dance; that poetry begins to atrophy when it gets too far from music; but this must not be taken as implying that all good music is dance music or all poetry lyric. Bach and Mozart are never too far from physical movement.
And I think the job of a leader is not to try to do everything yourself, but it's to try to organize people, each of whom have different talents and skills. Make sure that they are joined in a common vision about what needs to get done, but then go ahead and let them — give them the tools so that they can do what they need to do. [...] Very few things, great things are done by yourself. Maybe if you're a Picasso or Mozart you can go off into a room and you can produce great things. But most great accomplishments, human accomplishments, they're done as a group. And you're job as a leader then, is to be able to assemble to bring together people in a common vision.
We often say that psi is like musical ability: it is widely distributed in the populate, and everyone has some ability and can participate to some extent - in the same way that the most nonmusical person can learn to play a little Mozart on the piano. On the other hand, there is no substitute for innate talent, and there is no substitute for practice.
A culture that gave the world the spiritual creations of the Classical Music of Mozart, Beethoven, Wagner and Schubert, the paintings of Michelangelo, and Raphael, Da Vinci and Rembrandt, does not need lessons from societies whose idea of spirituality is a heaven peopled with female virgins for the use of men, whose idea of heaven resembles a cosmic brothel.
Skeptics squat by the road like guardians of truth, letting no one pass who doesn't come up to scratch. They never realize that they can see only what their paradigm tells them to look for. If you judge a person only by how well he plays pool, Mozart won't pass scrutiny, but the fault is in your lens.
It can be a work by Mondrian, a piece of music by Schönberg or Mozart, a painting by Leonardo, Barnett Newman or also Jackson Pollock. That's beautiful to me. But also nature. A person can be beautiful as well. And beauty is also defined as 'untouched'. Indeed, that's an ideal: that we humans are untouched and therefore beautiful.
According to my deep conviction, Mozart is the highest, the culminating point that beauty has attained in the sphere of music. No one has made me weep, has made me tremble with rapture, from the consciousness of my nearness to that something which we call the ideal, as he has done.