When you decide to change your handwriting, and when you sit down and spend a day or more making new characters, you've got to be in an outraged and outrageous state of mind.
The Paris Review, The Art of Fiction No. 65, Issue 70, Summer 1977
When you decide to change your handwriting, and when you sit down and spend a day or more making new characters, you've got to be in an outraged and outrageous state of mind.
