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Walter Raymond Spalding -
Rhythm
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Just as poetry and prose are a series of stanzas or sentence, so a musical composition is a succession of definitely organized portions of thought and emotion, in terms of rhythm and sound. In the heart of a composition, to be sure, we often find a great freedom in the phraseology, comparible to blank verse or to a rhapsodic kind of prose.
Walter Raymond Spalding
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Next to rhythm, modulation is the most stimulating and enchanting element in music. No composition of any scope can be considered truly great unlesss it abounds in beautiful modulations. Certain composers, to be sure, have in this respect more genius than others—notably Schubert, Chopin, Wagner and Franck whose music seems to waft us along on a magic carpet of delight. But just as Unity depends upon a definite basic tonality, so Variety is gained by this very freedom of modulation. … By the perfect balance in his works of these two related elements a genius may be definitely recognized.
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It may be granted that Debussy's melodic line is very fluid and elastic, like Wagner's "continuous melody," not definitely sectionalized by balanced phrases or set cadences. But it surely has its own right to existence—music being pre-eminently the art of freedom—and let us remember that Nature herself has melting outlines, shadowy vistas and subtle rhythms. Debussy, in fact, is the poet of the "indefinite" and the "suggestive" and his music has had great influence in freeing expression from scholastic bond.
Walter Raymond Spalding
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The rhythm of music, akin to the human heart-beat and to the ceaseless change and motion, which is the basic fact in all life, apeals at once to our own physical vitality.
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The significant development of the Harvard Band is chiefly attributable to the artistic skill and enterprise of Leroy Anderson. Anderson has a remarkable inborn sense of rhythm and magnetic authority as a conductor. While in college he was a ranking student in the Department of Music and has no small skill as a composer, as may be seen from his exciting potpourri Wintergreen for President, including tunes by Gershwin and some of his own.
Walter Raymond Spalding
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In England, the profession of the law is that which seems to hold out the strongest attraction to talent, from the circumstance, that in it ability, coupled with exertion, even though unaided by patronage, cannot fail of obtaining reward.
Charles Babbage
Walter Raymond Spalding
Born:
1865
Died:
1962
(aged 97)
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