No opera plot can be sensible, for in sensible situations people do not sing. An opera plot must be, in both senses of the word, a melodrama.


in Times Literary Supplement 2 November 1967


No opera plot can be sensible, for in sensible situations people do not sing. An opera plot must be, in both senses of the word, a melodrama.

No opera plot can be sensible, for in sensible situations people do not sing. An opera plot must be, in both senses of the word, a melodrama.

No opera plot can be sensible, for in sensible situations people do not sing. An opera plot must be, in both senses of the word, a melodrama.

No opera plot can be sensible, for in sensible situations people do not sing. An opera plot must be, in both senses of the word, a melodrama.