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Ursula K. Le Guin -
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It is no secret. All power is one in source and end, I think. Years and distances, stars and candles, water and wind and wizardry, the craft in a man's hand and the wisdom in a tree's root: they all arise together. My name, and yours, and the true name of the sun, or a spring of water, or an unborn child, all are syllables of the great word that is very slowly spoken by the shining of the stars. There is no other power. No other name.
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For fantasy is true, of course. It isn't factual, but it is true. Children know that. Adults know it too, and that is precisely why many of them are afraid of fantasy. They know that its truth challenges, even threatens, all that is false, all that is phony, unnecessary, and trivial in the life they have let themselves be forced into living. They are afraid of dragons, because they are afraid of freedom.
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All knowledge is local, all truth is partial. [...] No truth can make another truth untrue. All knowledge is part of the whole knowledge. A true line, a true color. Once you have seen the larger pattern, you cannot get back to seeing the part as the whole.
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One of the historians of Darranda said: To learn a belief without belief is to sing a song without the tune.
A yielding, an obedience, a willingness to accept these notes as the right notes, this pattern as the true pattern, is the essential gesture of performance, translation, and understanding. The gesture need not be permanent, a lasting posture of the mind or heart, yet it is not false. It is more than the suspension of disbelief needed to watch a play, yet less than the conversion. It is a position, a posture in the dance.
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What would that be, a world without war? It would be the real world. Peace was the true life, the life of working and learning and bringing up children to work and learn. War, which devoured work, learning, and children, was the denial of reality.
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But what's the good of this sort of 'understanding,' Dearri said, if it doesn't result in practical, technological applications? Just word juggling, isn't it?
You ask questions like a true profiteer, Shevek said, and not a soul there knew he had insulted Dearri with the most contemptuous word in his vocabulary; indeed Dearri nodded a bit, accepting the compliment with satisfaction.
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The bond between true lovers is as close as we come to what endures forever.
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All or nothing at all, the true lover says, and that's the truth of it. My love will never die, he says. He claims eternity. And rightly. How can it die when it's life itself? What do we know of eternity but the glimpse we get of it when we enter in that bond?
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For a word to be spoken, Ged answered slowly, there must be silence. Before, and after. Then all at once he got up, saying, I have no right to speak of these things. The word that was mine to say I said wrong. It is better that I keep still; I will not speak again. Maybe there is no true power but the dark.
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All I know is the dark, the night underground. And that's all there really is. That's all there is to know, in the end. The silence, and the dark. You know everything, wizard. But I know one thing—the one true thing!
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All times are changing times, but ours is one of massive, rapid moral and mental transformation. Archetypes turn into millstones, large simplicities get complicated, chaos becomes elegant, and what everybody knows is true turns out to be what some people used to think.
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To be whole is to be part;
true voyage is return.
Ursula K. Le Guin
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Almost everything is double like that for adolescents; their lies are true and their truths are lies, and their hearts are broken by the world. They gyre and fall; they see through everything, and are blind.
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True myth may serve for thousands of years as an inexhaustible source of intellectual speculation, religious joy, ethical inquiry, and artistic renewal. The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blond Hero — really look — and he turns into a gerbil. But you look at Apollo, and he looks back at you. The poet Rilke looked at a statue of Apollo about fifty years ago, and Apollo spoke to him. You must change your life, he said. When true myth rises into consciousness, that is always its message. You must change your life.
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Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
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And he began to see the truth, that Ged had neither lost nor won but, naming the shadow of his death with his own name, had made himself whole: a man who, knowing his whole true self, cannot be used or possessed by any power other than himself, and whose life therefore is lived for life's sake and never in the service of ruin, or pain, or hatred, or the dark.
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We have inhabited both the actual and the imaginary realms for a long time. But we don't live in either place the way our parents or ancestors did. Enchantment alters with age, and with the age. We know a dozen Arthurs now, all of them true. The Shire changed irrevocably even in Bilbo's lifetime. Don Quixote went riding out to Argentina and met Jorge Luis Borges there. Plus c'est la même chose, plus ça change.
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Children know perfectly well that unicorns aren't real, but they also know that books about unicorns, if they are good books, are true books.
Ursula K. Le Guin
Quote of the day
In England, the profession of the law is that which seems to hold out the strongest attraction to talent, from the circumstance, that in it ability, coupled with exertion, even though unaided by patronage, cannot fail of obtaining reward.
Charles Babbage
Ursula K. Le Guin
Creative Commons
Born:
October 21, 1929
Died:
January 22, 2018
(aged 88)
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