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[The Cubist painters who] continued to paint objects motionless, frozen, and all the static aspects of Nature; they worship the traditionalism of Poussin, of Ingres, of Corot, ageing and petrifying their art with an obstinate attachment to the past, which to our eyes remains totally incomprehensible.
Umberto Boccioni
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Balla [his former art teacher in Italy] flabbergasted us because, not content with being involved in a Futurist campaign, as you can well imagine him doing, he launched himself into a complete transformation. He rejected all his works and all his working methods. He started work on four pictures of movement (one painting was his 'Girl running on a balcony'), which were still realist but incredible ahead of their time.... He confided this to Aldo Pallazzeschi: 'They (Balla's former - so much younger pupils Boccioni and Severini) did not want anything to do with me in Paris and they were right: they have gone much further than I, but I will work and I too will progress.'
Umberto Boccioni
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The characteristic motion peculiar to the object (absolute motion), with the transformations the object undergoes in its shifting in relation to the environment, mobile or immobile (relative motion; both motions should be conceived in art)
Umberto Boccioni
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With our enthusiastic adherence to Futurism, we will:
1. Destroy the cult of the past, the obsession with the ancients, pedantry and academic formalism.
2. Totally invalidate all kinds of imitation.
3. Elevate all attempts at originality, however daring, however violent.
4. Bear bravely and proudly the smear of 'madness' with which they try to gag all innovators.
5. Regard art critics as useless and dangerous.
6. Rebel against the tyranny of words: 'Harmony' and 'good taste' and other loose expressions which can be used to destroy the works of Rembrandt, Goya, Rodin..
7. Sweep the whole field of art clean of all themes and subjects which have been used in the past.
8. Support and glory in our day-to-day world, a world which is going to be continually and splendidly transformed by victorious Science.
Umberto Boccioni
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Get all the information you can about the Cubists, and about Georges Braque and Pablo Picasso. Go to Kahnweilers' (Paris art gallery). And if he's got photos of recent works – produced after I have left -, buy one or two. Bring us [the Futurists in Italy, like Boccioni himself] back all the information you can get.
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In the first Manifesto that we launched on the 8th of March, 1910, from the stage of the Chiarella Theater in Turin, we expressed our deep-rooted disgust with, our proud contempt for, and our happy rebellion against vulgarity, mediocrity, the fanatical and snobbish worship of all that is old, attitudes which are suffocating Art in our Country.
Umberto Boccioni
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Nobody ever did anything very foolish except from some strong principle.
William Lamb, 2nd Viscount Melbourne
Umberto Boccioni
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Born:
October 19, 1882
Died:
August 17, 1916
(aged 33)
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