There is really nothing more to say — except why. But since why is difficult to handle, one must take refuge in how.


The Bluest Eye (1969).


There is really nothing more to say — except why. But since why is difficult to handle, one must take refuge in how.

There is really nothing more to say — except why. But since why is difficult to handle, one must take refuge in how.

There is really nothing more to say — except why. But since why is difficult to handle, one must take refuge in how.

There is really nothing more to say — except why. But since why is difficult to handle, one must take refuge in how.