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Theo van Doesburg -
Colour
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The work of art should be entirely conceived and formed by the mind before its execution. It should receive nothing from Nature's formal properties or from sensuality or sentimentality.... The picture should be constructed entirely from purely plastic elements, that is to say, planes and colours. A pictorial element has no other significance than 'itself', and therefore the picture has no other significance than 'itself'.
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.. modern destruction begins where architectural structure is opened up and set into motion by colour relationships. The colour-planes, however, are always in orthogonal relationship.
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Plastic expression in architecture is inconceivable without colour. Colour and light complete one another. Without colour architecture is expressionless, blind... If the Functionalists wish to suppress colour completely, then this merely proves that they never understood the importance of colour as an 'architectural' element, as a means of plastic expression, no matter whether used with iron, glass, or concrete.
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To be white, red, yellow, or black is to be a painter. To-day it is not sufficient for the painter to think of colour; he should be colour, feed on colour and transform himself into painting. That is the essential thing. To feel like colour means to carry within oneself the entire range of colours, not as a treasure, but as a trust.
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Perhaps it was his return to Paris [In June 1919 Piet Mondrian returned to Paris] that was needed to provide him with fresh new possibilities in his work. Invigoration. His most recent work is without composition. The division of the picture plane is modular. That means ordinary rectangles, all the same size. The only contrast is in the colour. In my view, this runs counter to his theory concerning the abolition of position and dimension. This is in effect equality of position and dimension.
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We speak of concrete and not abstract painting because nothing is more concrete, more real then a line, a colour, a surface. A woman, a tree, a cow; are these concrete elements in a painting? No. A woman, a tree and a cow are concrete only in nature; in painting they are abstract, illusionistic, vague and speculative. However, a plane is a plane, a line is a line and no more or no less than that. "Concrete painting". Spirit has arrived at the age of maturity...
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He who is above cannot be below / Not to show one's colours is to be like flotsam / not to be consistent (to be oneself) is not being / inconsistent / but never being true / here all flag-heroism but incite to / being oneself / suffering the consequences of being:/ to be hard to be cold to be cruel / To kill to hurt / to disturb tranquility / to distort harmony / from truly being / that is heroic thing / to be oneself is / being neither under bond nor borrowed nor sold nor hired / to be / means / to be spiritually free
Theo van Doesburg
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The Constitution was the expression not only of a political faith, but also of political fears. It was wrought both as the organ of the national interest and as the bulwark of certain individual and local rights.
Herbert Croly
Theo van Doesburg
Creative Commons
Born:
August 30, 1883
Died:
April 7, 1931
(aged 47)
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