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A faint light burned in the pit revealing a furry creature hunched over a stone slab, fiddling with something. At first Gregor raised a warning hand. He thought it was a rat. Then the creature lifted his head and Gregor recognized what was left of his dad.
Suzanne Collins
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I raise my left arm and twist my neck down to rip off the pill on my sleeve. Instead my teeth sink into flesh. I yank my head back in confusion to find myself looking into Peeta's eyes, only now they hold my gaze. Blood runs from the teeth marks on the hand he clamped over my nightlock. Let me go! I snarl at him, trying to wrest my arm from his grasp. I can't, he says.
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He never lets go of Annie's hand. Not when they walk, not when they eat. I doubt he ever plans to.
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They can fatten me up. They can give me a full body polish, dress me up, and make me beautiful again. They can design dream weapons that come to life in my hands, but they will never again brainwash me into the necessity of using them. I no longer feel allegiance to these monsters called human beings, despite being one myself.
Suzanne Collins
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Oh, he's on top of it. It was volunteer only, but he pretended not to notice me waving my hand in the air," says Haymitch. "See? He's already demonstrated good judgment.
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She reaches in, digs her hand deep into the ball, and pulls out a slip of paper. The crowd draws in a collective breath, and then you can hear a pin drop, and I'm feeling nauseous and so desperately hoping that it's not me, that it's not me, that it's not me. Effie Trinket crosses back to the podium, smoothes the slip of paper, and reads out the name in a clear voice. And it's not me. It's Primrose Everdeen.
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And there I am, blushing and confused, made beautiful by Cinna's hands, desirable by Peeta's confession, tragic by circumstance, and by all accounts, unforgettable.
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For me, it's better to wake up with a paintbrush than a knife in my hand. -Peeta
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When I break into the clearing, she's on the ground, hopelessly entangled in a net. She just has the time to reach her hand through the mesh and say my name before the spear enters her body.
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I reach out to touch his cheek and he catches my hand and presses it against his lips.
Suzanne Collins
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I reach for Prim in the twilight, clamp my hand on her leg and pull myself over to her. Her voice remains steady as she croons to Buttercup. "It's all right, baby, it's all right. We'll be OK down there." My mother wraps her arms around us. I allow myself to feel young for a moment and rest my head on her shoulder.
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Peeta rinses the pearl off in the water and hands it to me. For you. I hold it out on my palm and examine its iridescent surface in the sunlight. Yes, I will keep it. For the few remaining hours of my life I will keep it close. This last gift from Peeta. The only one I can really accept. Perhaps it will give me strength in the final moments.
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Four people wheel out a huge wedding cake from a side room. Most of the guests back up, making way for this rarity, this dazzling creation with blue-green, white-tipped icing waves swimming with fish and sailboats, seals and sea flowers. But I push my way through the crowd to confirm what I knew at first sight. As surely as the embroidery stitches in Annie's gown were done by Cinna's hand, the frosted flowers on the cake were done by Peeta's.
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I clench his hands to the point of pain. "Stay with me." His pupils contract to pinpoints, dialate again rapidly, and then return to something resembling normalcy. "Always," he murmurs.
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Cato kneels beside Clove, spear in hand, begging her to stay with him. In a moment, he will realize it's futile, she can't be saved.
Suzanne Collins
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Today I might lose both of them. I try to imagine a world where both Gale's and Peeta's voices have ceased. Hands stilled. Eyes unblinking. I'm standing over their bodies, having a last look, leaving the room where they lie. But when I open the door to step out into the world, there's only a tremendous void. A pale grey nothingness that is all my future holds.
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He puts the chain with the locket around my neck, then rests his hand over the spot where our baby would be. You're going to make a great mother, you know, he says. He kisses me one last time and goes back to Finnick.
Suzanne Collins
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I take Peeta's face in my hands. "Don't worry. I'll see you at midnight.
Suzanne Collins
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There's always hand-to-hand combat. All you need is to come up with a knife, and you'll at least stand a chance. If I get jumped, I'm dead!" I can hear my voice rising in anger. "But you won't! You'll be living up in some tree eating raw squirrels and picking off people with arrows.
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I trusted him. I put what was precious in Haymitch's hands. & he has betrayed me
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One more time? For the audience?" he says. His voice isn't angry. It's hollow, which is worse. Already the boy with the bread is slipping away from me. I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.
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That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you on fire," says Peeta. "On the other hand, Haymitch... well, if I were you, I'd avoid Haymitch completely. He hates you.
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There's no point in comforting words, in telling her she'll be all right. She's no fool. Her hand reaches out and I clutch it like a lifeline. As if it's me who's dying instead of Rue.
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We hand the meat over to Greasy Sae in the kitchen. She likes District 13 well enough, even though she thinks the cooks are somewhat lacking in imagination. But a woman who came up with a palatable wild dog and rhubarb stew is bound to feel as if her hands are tied here.
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Peeta looks me right in the eye and gives my hand what I think is meant to be a reassuring squeeze. Maybe it's just a nervous spasm.
Suzanne Collins
Quote of the day
I must have a prodigious quantity of mind; it takes me as much as a week sometimes to make it up.
Mark Twain
Suzanne Collins
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Born:
August 10, 1962
(age 62)
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