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Susan Sontag -
On Photography (1977)
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In America the photographer is not simply the person who records the past, but the one who invents it.
Susan Sontag
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The camera makes everyone a tourist in other people's reality, and eventually in one's own.
Susan Sontag
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There is an aggression implicit in every use of the camera.
Susan Sontag
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Along with people who pretty themselves for the camera, the unattractive and the disaffected have been assigned their beauty.
Susan Sontag
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Though collecting quotations could be considered as merely an ironic mimetism
Susan Sontag
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The shock of photographed atrocities wears off with repeated viewings, just as the surprise and bemusement felt the first time one sees a pornographic movie wear off after one sees a few more.
Susan Sontag
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Everyone who lives in an industrialized society is obliged gradually to give up the past, but in certain countries, such as the United States and Japan, the break with the past has been particularly traumatic.
Susan Sontag
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If there can be a better way for the real world to include the one of images, it will require an ecology not only of real things but of images as well.
Susan Sontag
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Surrealism in painting amounted to little more than the contents of a meagerly stocked dream world: a few witty fantasies, mostly wet dreams and agoraphobic nightmares.
Susan Sontag
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Our very sense of situation is now articulated by the camera's interventions. The omnipresence of cameras persuasively suggests that time consists of interesting events, events worth photographing. This, in turn, makes it easy to feel that any event, once underway, and whatever its moral character, should be allowed to complete itself - so that something else can be brought into the world, the photograph.
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Photographs may be more memorable than moving images, because they are a neat slice of time, not a flow. Each still photograph is a privileged moment turned into a slim object that one can keep and look at again.
Susan Sontag
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Photography is a kind of overstatement, a heroic copulation with the material world.
Susan Sontag
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A photograph is both a pseudo-presence and a token of absence. Like a wood fire in a room, photographs-especially those of people, of distant landscapes and faraway cities, of the vanished past-are incitements to reverie. The sense of the unattainable that can be evoked by photographs feeds directly into the erotic
feelings of those for whom desirability is enhanced by distance.
Susan Sontag
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Photographs furnish evidence. Something we hear about, but doubt, seems proven when we're shown a photograph of it.
Susan Sontag
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As industrialization provided social uses for the operations of the photographer, so the reaction against these uses reinforced the self-consciousness of photography-as-art.
Susan Sontag
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Despite the illusion of giving understanding, what seeing through photographs really invites is an acquisitive relation to the world that nourishes aesthetic awareness and promotes emotional detachment.
Susan Sontag
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To photograph is to appropriate the thing photographed. It means putting oneself into a certain relation to the world that feels like knowledge-and therefore, like power.
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Bleak factory buildings and billboard-cluttered avenues look as beautiful, through the camera's eye, as churches and pastoral landscapes.
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Between two fantasy alternatives, that Holbein the Younger had lived long enough to have painted Shakespeare or that a prototype of the camera had been invented early enough to have photographed him, most Bardolators would choose the photograph. This is not just because it would presumably show what Shakespeare really looked like, for even if the photograph were faded, barely legible, a brownish shadow, we would probably still prefer it to another glorious Holbein. Having a photograph of Shakespeare would be like having a nail from the True Cross.
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The course of modern history having already sapped the traditions and shattered the living wholes in which precious objects once found their place, the collector may now in good conscience go about excavating the choicer, more emblematic fragments.
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When Cartier-Bresson goes to China, he shows that there are people in China, and that they are Chinese.
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The painter constructs, the photographer discloses.
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Although there is a sense in which the camera does indeed capture reality, not just interpret it, photographs are as much an interpretation of the world as paintings and drawings are
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People robbed of their past seem to make the most fervent picture takers, at home and abroad.
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Whitman thought he was not abolishing beauty but generalizing it. So, for generations, did the most gifted American photographers, in their polemical pursuit of the trivial and the vulgar. But among American photographers who have matured since World War II, the Whitmanesque mandate to record in its entirety the extravagant candors of actual American experience has gone sour. In photographing dwarfs, you don't get majesty & beauty. You get dwarfs.
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Industrial societies turn their citizens into image-junkies; it is the most irresistible form of mental pollution.
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The particular qualities and intentions of photographs tend to be swallowed up in the generalized pathos of time past.
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To us, the difference between the # photographer as an individual eye and the photographer as an objective recorder seems fundamental, the difference often regarded, mistakenly, as separating photography as art from # photography as document. But both are logical extensions of what photography means: note-taking on, potentially, everything in the world, from every possible angle.
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Evans wanted his photographs to be "literate, authoritative, transcendent." The moral universe of the 1930s being no longer ours, these adjectives are barely creditable today. Nobody demands that photography be literate. Nobody can imagine how it could be authoritative. Nobody understands how anything, least of all a photograph, could be transcendent.
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By furnishing this already crowded world with a duplicate one of images, photography makes us feel that the world is more available than it really is.
Susan Sontag
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Quote of the day
Every word she writes is a lie, including 'and' and 'the'.
Mary McCarthy
Susan Sontag
Creative Commons
Born:
January 16, 1933
Died:
December 28, 2004
(aged 71)
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