The most potent elements in a work of art are, often, its silences.


Against Interpretation (1966)


The most potent elements in a work of art are, often, its silences.

The most potent elements in a work of art are, often, its silences.

The most potent elements in a work of art are, often, its silences.

The most potent elements in a work of art are, often, its silences.