Stella Vine Quotes

32 Sourced Quotes

I have always been ambitious, no doubt about that. I always felt like I had to reach the dizzy heights of fame and success or whatever the heights are of a number of given professions I have dabbled in, to prove myself, "Stripper of the year" a bafta or whatever, for me it was by creating something interesting and entertaining or moving, but not by compromising the thing I was creating, that thing had to reach those heights, I guess it's about being accepted and loved a bit or a lot.

Stella Vine
I'm looking forward to being old, to be able to accept what I am and become self-sufficient. Mid-forties is a good age and it's not too far away.

Stella Vine
I like to watch old films. Meet Me in St Louis, Cul-de-Sac and Buffalo 66 are some of my favourites.

Stella Vine
I imagined the princess, too scared to use the phone at the palace because she knew it was bugged. So she decides to go out, still wearing her best princess dress, and with her make-up smudged because she'd put it on in a hurry. And I thought she'd have gone to the shops and used a public phone. There's a whole string of Asian newsagents at that particular place. It's all very vivid… 'Hi Paul, can you come over.'

Stella Vine
I will look through 200 photographs of Kate Moss and there will be just one that I connect with for some reason, maybe because of the composition or something in the eye... Something touches me and I know I have to paint it, in the way a child knows it wants something.

Stella Vine
I wanted my work to be seen for free in a public space, I want to be up there with Pollock and de Kooning, one of the big boys.

Stella Vine
When Alexander McQueen bought the Kate Moss painting, she was really being persecuted. I can't remember the exact timing, but I think it was before the cocaine, when she was just having a hard time with Peter. I think that was when he bought that. I was really pleased because he was such a huge supporter of her. It was so terrible what was happening to her.

Stella Vine
I identify with people like Diana who just want to be loved by everybody. If somebody doesn't like me I find that very upsetting.

Stella Vine
I think there is a total equality for me between painting a literary figure or Kate Moss or my Mum or a dog or a bird. To me, they are all absolutely equal.

Stella Vine
A common misperception of me is that I am a victim. I am not a victim. I am just honest about how things affect me.

Stella Vine
Perhaps the people I choose to paint are often objects of derision celebrity is a bit of a put-down term, isn't it? But to me they are my world.

Stella Vine
The art world is really exactly the same as the sex industry: you have to be completely on guard, you will get shafted, fucked over left, right and centre. And you will also meet charming, wonderful people like a rainbow at the end of the day.

Stella Vine
All those people who derided me did me a favour, because now I don't care what anyone says about me. I feel I am now able to be a really powerful painter, to take on the mantle of the US male expressionist.

Stella Vine
I've lived on my own since I was 13 and not been to school and brought a son up who's now 18 and run theatre companies and bought a butcher's shop, learnt guitar by myself, taught myself to sing and that sort of stuff.

Stella Vine
I was making very aggressive provocative paintings. Whether the Rachel paintings, or the Diana paintings, I've sensed over the three or four years that I've been in getting press attention, I've sensed that it has not been that long since the woman painter was not allowed in the Royal Academy, and not allowed to paint nude men, and thee is such a huge body of work that men have made, versus the small body of work made by women, that I am not surprised to get this response.

Stella Vine
I had been painting Kate Moss for a long time, both before the time of her crisis and during it. I felt very strongly for her - she's a hard-working mum and it seemed as if suddenly the world turned against her. Holy water cannot help you now is painted in very warm pretty colours...

Stella Vine
Even in the most horrendous situations there is always something to smile about.

Stella Vine
I didn't think anyone really liked what I was doing and I literally have the bailiffs at my door.

Stella Vine
My background has been pretty abusive, nothing extreme, mainly psychological. There have been a few times when I have been slapped by partners and I have slapped back. I have enormous sympathy for those affected by violence. We need to progress beyond violence towards women and not cancel it out by saying women are also violent towards men.

Stella Vine
I would never ever amount to anything without him. That's what he told me.

Stella Vine
My working hours are not that conventional. I often get up about two in the morning and do a painting, and then I'll have a bath, and then I often feel very hungry around 4am, so I'll go into Soho and have a meal somewhere like Balans. That's what I love about living here - there's always life around me.

Stella Vine
You're very vulnerable when you're naked. The psychology is a bit weird. It's all in the eyes between the two people so you've got to be confident. You've really got to pretend you are enjoying it. I tended to have lots of conversations with lonely old men and to meet lots of nutters as well. I have incredible tolerance for darkness. I can take on board quite a lot of damaged people, but it takes its toll psychologically.

Stella Vine
I like strong/vulnerable interesting women, and then sometimes I like painting beautiful men, like Kurt Cobain, or Mr Darcy.

Stella Vine
I hope that whoever stole it, stole it because they loved it, and not because of all the hype.

Stella Vine
This is a dark painting with a bit of violence because I was very affected by Diana's death. I cried all day because I liked her, warts and all. Most of all I liked the way that she wanted to be loved and didn't mind admitting it.

Stella Vine