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Sam Keen -
Outlaw
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The outlaw will often wonder whether asserting the right to know, to taste, to experience, to judge is not an act of arrogance. … To become an outlaw, I must decide that my personal experience rather than the mores of the tribe is the authority upon which I will base my judgments. In a bold act of self-love and self-trust, the outlaw proclaims that individual to be higher than the universal.
Sam Keen
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For the adult, all the world is a stage and the personality is the mask one wears to play the assigned role. The outlaw quietly takes a seat in the back row of the theater of the mind and watches.
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The outlaw is the conscious warrior who makes use of the aggression to break down the walls, barriers, and boundaries that artificially separate and alienate.
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The path that leads from the persona to the self, from the adult to the outlaw, consists of learning to distinguish between false desire and true desire, or superficial desire and profound desire, or obsessive desire and free passion, … or illusory needs and real needs.
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There is a crucial difference between the criminal and the outlaw. The criminal is a perverse rebel who acts out against the law. … The outlaw is a supranormal individual who cares about others too much to accept the limitations on eros that are imposed by normal life. Thus the outlaw question moves outside end beyond, not against the law. While the rebel is an antinomian, merely rejecting the established, the outlaw is motivated by a quest for autonomy.
Sam Keen
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It is only from the perspective of the outlaw … that we are able to see that mythically informed normality is a form of mass hypnosis.
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Outlaw consciousness is born the moment I drop out, stop the world, cease being an actor identified with the mythic roles I have been playing in society. Change begins when I do nothing except observe. The wisdom of the railroad crossing: Stop. Look. Listen. Meditation is the healthy form of voyeurism.
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The outlaw uses the knife to separate the persona from the self. The outlaw uses the warrior's sword to cut through his own character armor to destroy the defense mechanisms that have kept him imprisoned within the citadel of personality and role.
Sam Keen
Quote of the day
Good authors, too, who once knew better words Now only use four-letter words Writing prose — Anything goes.
Cole Porter
Sam Keen
Born:
1931
(age 93)
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