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Care is a state in which something does matter; care is the opposite of apathy. Care is the necessary source of eros, the source of human tenderness.
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It is highly significant, and indeed almost a rule, that moral courage has its source in identification through one's own sensitivity with the suffering of one's fellow human beings.
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Terrorism and the whole drug scene are vivid examples of the fact that what persons abhor most of all in life is the possibility that they will not matter.
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Note the startling regularity through history with which society martyrs the rebel in one generation and worships him in the next. Socrates, Jesus, William Blake, Buddha, Krishna — the list is as endless as it is rich.
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If any organism fails to fulfill its potentialities, it becomes sick, just as your legs would wither if you never walked. But the power of your legs is not all you would lose. The flowing of your blood, your heart action, your whole organism would be the weaker.
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The acorn becomes an oak by means of automatic growth; no commitment is necessary. The kitten similarly becomes a cat on the basis of instinct. Nature and being are identical in creatures like them. But a man or woman becomes fully human only by his or her choices and his or her commitment to them. People attain worth and dignity by the multitude of decisions they make from day by day. These decisions require courage.
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The vision of the artist or the poet is the intermediate determinant between the subject (the person) and the objective pole (the world-waiting-to-be). It will be nonbeing until the poet's struggle brings forth an answer — meaning. The greatness of a poem or a painting is not that it portrays the thing observed or experienced, but that it portrays the artist's or the poet's vision cued off by his encounter with the reality. Hence the poem or the painting is unique, original, never to be duplicated. No matter how many times Monet returned to paint the cathedral at Rouen, each canvas was a new painting expressing a new vision.
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The crucial question which confronts us in psychology and other aspects of the science of man is precisely this chasm between what is abstractly true and what is existentially real for the given living person.
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When I fall in love, I feel more valuable and I treat myself with more care. We have all observed the hesitant adolescent, uncertain of himself, who, when he or she falls in love, suddenly walks with a certain inner assuredness and confidence, a mien which seems to say, "You are looking at somebody now." … this inner sense of worth that comes with being in love does not seem to depend essentially on whether the love is returned or not.
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You can live without a father who accepts you, but you cannot live without a world that makes some sense to you.
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A person can meet anxiety to the extent that his values are stronger than the threat.
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Freedom does not come automatically; it is achieved. And it is not gained in a single bound; it must be achieved each day.
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Art is a substitute for violence. The same impulses that drive persons to violence — the hunger for meaning, the need for ecstasy, the impulse to risk all — drive the artist to create. He is by nature our archrebel. … the essence of the rebellion is in the new way of seeing nature and life.
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Our powerful hunger for myth is a hunger for community. The person without a myth is a person without a home.... To be a member of one's community is to share in its myths.
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True to the meaning of the rebel as one who renounces authority, he seeks primarily not the substitution of one political system for another. He may favor such a political change, but it is not his chief goal. He rebels for the sake of a vision of life and society which he is convinced is critically important for himself and his fellows. … the rebel fights not only for the relief of his fellow men but also for his personal integrity. For him these are but two sides of the same coin.
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The mature person becomes able to differentiate feelings into as many nuances, strong and passionate experiences, or delicate and sensitive ones, as in the different passages of music in a symphony. Unfortunately, many of us have feelings limited like notes in a bugle call.
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The daimonic refers to the power of nature rather than the superego, and is beyond good and evil. Nor is it man's 'recall to himself' as Heidegger and later Fromm have argued, for its source lies in those realms where the self is rooted in natural forces which go beyond the self and are felt as the grasp of fate upon us. The daimonic arises from the ground of being rather than the self as such.
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In a world where numbers inexorably take over as our means of identification, like flowing lava threatening to suffocate and fosilize all breathing life in its path; in a world where "normality" is defined as keeping your cool; where sex is so available that the only way to preserve any inner center is to have intercourse without committing yourself — in such a schizoid world, which young people experience more directly since they have not had time to build up the defenses which dull the senses of their elders, it is not surprising that will and love have become increasingly problematic and even, as some people believe, impossible of achievement.
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Kierkegaard, Nietzsche, and those who followed them accurately foresaw this growing split between truth and reality in Western culture, and they endeavored to call Western man back from the delusion that reality can be comprehended in an abstracted, detached way. But though they protested vehemently against arid intellectualism, they were by no means simple activists. Nor were they antirational. Anti-intellectualism and other movements in our day which make thinking subordinate to acting must not at all be confused with existentialism. Either alternative-making man subject or object-results in loosing the living, existing person.
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The daimonic is any natural function which has the power to take over the whole person. Sex and eros, anger and rage, and the craving for power are examples. The daimonic can be either creative or destructive and is normally both.
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Insight comes at a moment of transition between work and relaxation.
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Neither Kierkegaard nor Nietzsche had the slightest interest in starting a movement – or a new system, a thought which would indeed have offended them. Both proclaimed, in Nietzsche's phrase, Follow not me, but you!
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The authentic rebel knows that the silencing of all his adversaries is the last thing on earth he wishes: their extermination would deprive him and whoever else remains alive from the uniqueness, the originality, and the capacity for insight that these enemies — being human — also have and could share with him. If we wish the death of our enemies, we cannot talk about the community of man. In the losing of the chance for dialogue with our enemies, we are the poorer.
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In this sense genuine artists are so bound up with their age that they cannot communicate separated from it. In this sense, too, the historical situation conditions the creativity. For the consciousness which obtains in creativity is not the superficial level of objectified intellectualization, but is an encounter with the world on a level that undercuts the subject-object split. "Creativity" to rephrase our definition, is the encounter of the intensively conscious human being with his or her world.
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Therapy isn't curing somebody of something; it is a means of helping a person explore himself, his life, his consciousness. My purpose as a therapist is to find out what it means to be human. Every human being must have a point at which he stands against the culture, where he says, "This is me and the world be damned!" Leaders have always been the ones to stand against the society — Socrates, Christ, Freud, all the way down the line.
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Quote of the day
I'm no genius, and others can outwork me. What I do is ask the naive, honest questions, and then I'm not satisfied until I get the answers.
Herman E. Daly
Rollo May
Born:
April 21, 1909
Died:
October 22, 1994
(aged 85)
Bio:
Rollo Reece May was an American existential psychologist and author of the influential book Love and Will.
Known for:
Love and Will (1969)
Courage to Create (1972)
Man's Search for Himself (1953)
The Meaning of Anxiety (1950)
The Cry for Myth (1991)
Most used words:
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anxiety
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meaning
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experience
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daimonic
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individual
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sense
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love
,
people
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