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Roberto Mangabeira Unger -
Society
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It may seem strange that there can be a structure for breaking all structures and that it can have a precise, limited form, and be built to particular specifications. Yet we have two major examples of such a structure in our experience. One is the mind as imagination. The other is society, progressively recast on the model of the imaginationː organized to shorten the distance between our context-preserving and context-transforming activities and to diminish the dependence of transformation on crisis.
Roberto Mangabeira Unger
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I belong to the generation of 1968, which, throughout the world, hoped to recast society on the model of the imagination. I have tried to learn from disappointment and defeat, but I have not despaired. "If the fool would persist in his folly," wrote William Blake, "he would become wise."
Roberto Mangabeira Unger
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In a free society, the individual has the educational equipment, as well as the economic and political occasion, to cross the frontier between the activities that take the framework for granted and those that bring it into question. He has been educated in a way that enables the mind as imagination to become ascendant over the mind as machine. He has learned to philosophize by acting, in the sense that he recognizes in every project the seed of some great or small reformation.
Roberto Mangabeira Unger
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If society is organized to insulate its own arrangements from challenged and change, and thus to give itself the semblance of a natural object or an alien fate, the noncomputable and the nonmodular aspects of the mind will remain no more than a penumbral light around the darkness of computability and modularity. However, as society acquires the features of democratic experimentalism, those aspects become central to the life of the mind. The hold of the innate mental faculty on our experience gets turbinated by a political construction.
Roberto Mangabeira Unger
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There is a path of ascent, requiring and enabling us to undergo a transformation of both society and the self, and rewarding us with an incomparable good. The incomparable good is a greater share of the attributes of the divine, or eternal life, or a greater life, with higher powers, making us more godlike.
Roberto Mangabeira Unger
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I ask myself in this bookː on what assumptions about the world and the mind, the self and society, do these beliefs—mere translations and developments of a creed that has already taken over the world and set it on fire—continue to make sense? Within what larger combination of ideas can we ground, develop, and correct them?
Roberto Mangabeira Unger
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To understand society deeply is always to see the settled from the angle of the unsettled. The settled is the region or the moment where relationships become fixed and, through their fixity, take on a specious aura of necessity. The unsettled is the experience that discloses the perilous, uncertain, malleable quality of society. By seeing the settled unsettled or by looking toward the disturbances that take place in its vicinity, we begin to understand how the settled really works and what it really is.
Roberto Mangabeira Unger
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The search for this latent and living law—not the law of prescriptive rules or of bureaucratic policies, but the elementary code of human interaction—has been the staple of the lawyer's art wherever this art was practiced with the most depth and skill. What united the great Islamic 'ulama', the Roman jurisconsults, and the English common lawyers was the sense they shared that the law, rather than being made chiefly by judges and princes, was already present in society itself. Throughout history there has been a bond between the legal profession and the search for an order inherent in social life. The existence of this bond suggests that the lawyer's insight, which preceded the advent of the legal order, can survive its decline.
Roberto Mangabeira Unger
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I have pursued this intellectual program by building a radical alternative in social theory to Marxism, by recasting legal thought as an instrument of the institutional imagination, by proposing particular institutional alternatives for the organization of the economy and the state, and by developing a philosophical conception of nature and mankind within which history is open, novelty is possible, and the divinization of humanity counts for more than the humanization of society.
Roberto Mangabeira Unger
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Futurity should cease to be a predicament and should become a program: we should radicalize it to empower ourselves. That is the reason to take an interest in ways of organizing thought and society in ways that diminish the influence of what happened before on what can happen next. Such intellectual and institutional innovations make change in thought less dependent on the pressure of unmastered anomalies and change in society less dependent on the blows of unexpected trauma.
Roberto Mangabeira Unger
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By the structure of society, I mean the institutional and ideological presuppositions that shape the routine practices, conflicts, and transactions in that society, and that are largely taken for granted, even to the point of being invisible, as if they were part of the nature of things. In a free society, this institutional and ideological framework does not present itself as an alien fate beyond the reach of the transformative will and imagination.
Roberto Mangabeira Unger
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The arrangements of society and culture are fighting petrified; they survive in the interruption or containment of practical and visionary strife. The more society and culture are organized to increase the distance between our context-preserving and our context-transforming activities, the more these arrangements take on the appearance of natural facts. They appear to us as givens, as our collective fate. Indeed, that is what, in a sense, they then become.
Roberto Mangabeira Unger
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The structures of society and culture are fighting turned to stone; they are what comes into existence so long and insofar as we interrupt our practical and ideological struggles over the organization of life in society. When the fighting escalates again, the structures dissolve into the collective action and imagination from which they arose. When we fashion structures design to invite their own reconstruction, we make them into both superior instruments of our power and more faithful reflections of our humanity.
Roberto Mangabeira Unger
Quote of the day
Every word she writes is a lie, including 'and' and 'the'.
Mary McCarthy
Roberto Mangabeira Unger
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Born:
March 24, 1947
(age 77)
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