For the question inevitably remains, is Polletti's admission of fear a magnificent conquest of the unconquerable, or a mere admission of the inadmissable?
Chapter 2 (p. 26) - The 10th Victim (1965)
For the question inevitably remains, is Polletti's admission of fear a magnificent conquest of the unconquerable, or a mere admission of the inadmissable?
Chapter 2 (p. 26) - The 10th Victim (1965)