Robert Rauschenberg - Albers Quotes

5 Sourced Quotes

View all Robert Rauschenberg Quotes
Albers [on Black Mountain College] was a beautiful teacher and an impossible person. He wasn't easy to talk to, and I found his criticism so excruciating and so devastating that I never asked for it. Years later, though, I'm still learning what he taught me, because what he taught me had to do with the entire visual world. He didn't teach you how to 'do art'. The focus was always on your personal sense of looking... I consider Albers the most important teacher I've ever had, and I'm sure that he considers me one of his poorest students.

Robert Rauschenberg
I don't think he [Josef Albers,] ever realized that it was his discipline that I came for. Besides, my response to what I learned from him was just the opposite of what he intended... I was very hesitant about arbitrarily designing forms and selecting colors that would achieve some predetermined result, because I didn't have any ideas to support that sort of thing – I didn't want color to serve me, in other words.

Robert Rauschenberg
Josef Albers's [a former art teacher of Rauschenberg, on Black Mountain College] rule is to make order. As for me, I consider myself successful when I do something that resembles the lack of order I sense.

Robert Rauschenberg
1948 Black Mountain College N. C. Disciplined by Albers. Learned photography. Worked hard but poorly for Albers. Made contact with music and modern dance. Felt too isolated, Sue [Weil, they married soon, then] and I moved to NYC. Went to Art Students League. Vytlacil & Kantor. Best work made at home. Wht. Painting with no.'s best example. Summer 1950, Outer Island Conn. Married Sue Weil. Christoher (son) Born July 16, 1951 in NYC. First one man show Betty Parsons's

Robert Rauschenberg
It is my own personal psychosis that it is only by the background that you can see what is in front of you. Only be accepting all that surrounds you can you be totally self-visualized. And at the same time, your self-visualization is a reflection of your surroundings. Albers was right about that. That's why I like Cezanne so much. Matisse said, you have to read between the lines. When he would stop a line, say, at the ear, and beginning it again at the neck, he was really exercising the viewer's mind to fill in the blanks [parts].

Robert Rauschenberg