All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression


Richard Diebenkorn (ed. 1964)


All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression

All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression

All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression

All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression