Piet Mondrian - Form Quotes

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The new plastic idea cannot, therefore, take the form of concrete representation, although the latter does always indicate the universal to a degree, or at least conceal it within. This new plastic idea will ignore the particulars of appearance, that is to say, natural form and colour. On the contrary it should find its expression in the abstraction of form and colour, that is to say, in the straight line and the clearly defined primary colour.

Piet Mondrian
A form must be of its own time if it is to be recognized: one cannot relate to what one is not or does not have – Thus all that is of the past is to be rejected.

Piet Mondrian
The important task of all art is to destroy the static equilibrium by establishing a dynamic one. Non-figurative art demands an attempt of what is a consequence of this task, the destruction of particular form and the construction of a rhythm of mutual relations, of mutual forms, or free lines.... the law of the denaturalization of matter is of fundamental importance. In painting, the primary color that is as pure as possible realizes this abstraction of natural color

Piet Mondrian
[jazz and Neo-Plasticism are] highly revolutionary phenomena: they are destructive constructive. They do not destroy the actual content of form, but rather deepen form only in order to elevate it to a new order. They break the bonds of 'form as individuality' in order to make possible a universal unity.

Piet Mondrian
The colored planes, as much by position and dimension as by the greater value given to color, plastically express only relationships and not forms.

Piet Mondrian
In order to approach the spiritual in art, one employs reality as little as possible…This explains logically why primary forms are employed. Since these forms are abstract, an abstract art comes into being.

Piet Mondrian
Having red several of your books, I wonder if you [Rudolf Steiner, the founder of Anthroposophy] could find the time to read my brochure 'Le Néo-Plasticisme', which I am closing. I believe that Neo-Plasticism is the art of the foreseeable future for all true anthroposophists and theosophists. Neo-Plasticism creates harmony through the equivalence of the two extremes: the universal and the individual. The former by 'revelation', the latter by 'deduction'... It was impossible to bring about an equilibrium of relationships other than by destroying the 'form', and replacing it by a new 'universal' expressive means.

Piet Mondrian
[the double line in his paintings] is still one line, as in the case of your grooves [the wide sunken lines in the relief's, artist Gorin made that time]... In my last things the double line widens to form a plane, and yet it remains a line. Be that as it may, I believe that this question is one of those which lie beyond the realm of theory, and which are of such subtlety that they are rooted in the mystery of 'art'. But all that is not yet clear in my mind.

Piet Mondrian
For the present at least [1909] I shall restrict my work to the ordinary world of the senses, since that is the world in which we still live. But nevertheless art even now form a transition to the finer regions, which perhaps I am incorrect in calling spiritual, for everything that has form is not yet spiritual, as I read somewhere. But it is nonetheless the path of ascension away from matter. Well dear Querido, with many heartfelt wishes, Piet Mondriaan.

Piet Mondrian