Paul Cézanne - Light Quotes

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He (Delacroix) turns David [Frwnch painter] upside down. His painting is iridescent. Seeing one Constable [famous English landscape painter, admired by French painters, then] is enough to make him understand all the possibilities of landscape, and he too sets up his easel by the sea... And he has a sense of human being, of life in movement, of warmth. Everything moves, every glistens. The light!... There is more warm light in this interior [probably: 'Woman of Algiers'] of his than in all of Corot's landscapes..

Paul Cézanne
Objects enter into each other... Chardin [French classical still-life painter] was the first to have glimpsed that and rendered the atmosphere of objects... Notice how a light transversal plane straddling the bridge of your nose makes the values more evident to the eye... Well, he noticed that before we did... He neglected nothing. He also perceived that whole encounter in the atmosphere of the tiniest particles, the fine dust of emotion that surrounds objects..

Paul Cézanne
Allow me to repeat what I said when you were here: deal with nature by means of the cylinder, the sphere and the cone, all placed in perspective, so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth, a section of nature, or if you prefer, of the spectacle spread before our eyes by the 'Pater Omnipotens Aeterne Deus'. Lines perpendicular to that horizon give depth. But for us men, nature has more depth than surface, hence the need to introduce in our vibrations of light, represented by reds and yellows, enough blue tints to give a feeling of air.

Paul Cézanne
There is, in a apple, in a head, a culminating point, and this point - in spite of the effect, the tremendous effect: shadow or light, sensations of colour - is always the one nearest to the eye. The edge of objects recede to another point placed on your horizon. This is my great principle, my conviction, my discovery. The eye must concentrate, grasp the subject, and the brain will find a means to express it..

Paul Cézanne
On his painting 'The Bathers':
This will be my picture, the one I shall leave behind... But the center? Where is the center? I can't find the center... Tell me, what shall I group it all around? Ah, Poussin's arabesque! He knew all about that. In the London 'Bacchanal', in the Louvre 'Flora', where does the line of the figures and the landscape begin, where does it finish.... It's all one. There is no center. Personally I would like something like a hole, a ray of light, an invisible sun to keep an eye on my figures, to bathe them, care them, intensify them.... in the middle

Paul Cézanne
See how the light tenderly love the apricots, it takes them over completely, enters into their pulp, light them from all sides! But it is miserly with the peaches and light only one side of them.

Paul Cézanne
This is what happens, unquestionably – I am positive: an optical sensation is produced in our visual organ, which leads us classify as light, half-tone or quarter-tone, the planes represented by sensations of color. [Thus the light does not exist for the painter]. As long as, inevitably, one proceeds from black to white, the former of these abstractions being a kind of point of rest both for eye and brain, we flounder about, we cannot achieve self-mastery, get possession of ourselves. During this period (I tend to repeat myself, inevitably) we turn to the admirable works [of the five great Venetian painters a. o. Titian and Tintoretto] handed down to us through the ages, in which we find comfort and support...

Paul Cézanne