Listen, monsieur Vollard, I worked a lot out of doors at Estaque. Except for that there was no other event of importance in my life during the years 1870-71. I divided my time between the field and the studio.... Zola closed his letter by urging me to come back to Paris too [in 1872 Cézanne went back to Paris].... but all the same, something told me to go back to Paris. It was too long since I had seen the Louvre. But understand, Monsieur Vollard, I was working at that time on a landscape which was not going well. So I stayed at Aix (Aix en Provence) a little while longer to study on my canvas.


In: Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 32-33


Listen, monsieur Vollard, I worked a lot out of doors at Estaque. Except for that there was no other event of importance in my life during the years...

Listen, monsieur Vollard, I worked a lot out of doors at Estaque. Except for that there was no other event of importance in my life during the years...

Listen, monsieur Vollard, I worked a lot out of doors at Estaque. Except for that there was no other event of importance in my life during the years...

Listen, monsieur Vollard, I worked a lot out of doors at Estaque. Except for that there was no other event of importance in my life during the years...